Posts Tagged ‘singer songwriter’

Q+A with LEAF Singer-Songwriter Competition Finalist Kristian Phillip Valentino

Tuesday, May 3rd, 2022

Kristian Phillip Valentino is a solo acoustic, singer-songwriter born and raised in the Chicago suburbs and now residing in the Blue Ridge Mountains of Asheville, North Carolina. His musical palette falls between the lines of indie folk, singer-songwriter and Americana. Fans of Gregory Alan Isakov, Iron and Wine and Jason Isbell will feel comfortable here. His lyrics are a healing balm from the daily struggle as they wash over you with a deep reverence. 

After the passing of his father, ending up homeless and being broken up with all within one month, Kristian began writing songs in the summer of 2010, as a way to start processing all he’d been through and begin the healing process.

NewSong Music: What inspired you to enter the NewSong Contest?

KVP: I’ve entered the past few years and I’ve heard great things from prior winners. The exposure alone is worth the submission. 

How did the pandemic impact you as an artist (for better or worse)?

I took the pandemic as a sign to work on personal growth and my mental health overall. I believe because I did this my songwriting and personal life have greatly improved. Some of my best songs have come from this time.

In what ways does the craft of songwriting still surprise you?

I find myself being surprised all the time. Especially when a melody pops up over chords I’ve been playing over and over through the years. It’s like the songs find me first and I just follow along to the finish line.

Q+A with LEAF Singer-Songwriter Competition Finalist Stephen Sylvester

Sunday, May 1st, 2022

Who’s over six feet tall, an old soul, and definitely doesn’t have a “V” in his first name? You guessed it—Stephen Sylvester, a down-to-earth country artist whose unique and powerful voice is reminiscent of the great R&B singers of the ’60s. He’s living just like his mama taught him, a true-to-his-roots force to be reckoned with. You’ll want to remember this true Southern gentleman: check out Stephen Sylvester’s new album Let Me Be Strong on Spotify or Apple Music.

NewSong Music: What was your intro to music?

My dad was a prolific Christian singer-songwriter in the ’90s, so music was a part of our home from my earliest memories. That plus all the Disney movies meant young Stephen sang A LOT, but my musical awakening happened because of Stevie Wonder, oddly enough. I distinctly remember hearing him sing when I was about 7 or 8 and thinking “I’m going to do that one day.”
 
What is the first song you wrote that you were proud of, and why?
 
That would have to be “I Promise You,” which is the song I submitted for the contest (how poetic is that?!). It’s one of my oldest songs that I’m not embarrassed to play, and it was the one that caused my first experience moving an audience emotionally. I played it for folks I didn’t know in a wine bar years ago, closed my eyes for most of it, and when I opened them everyone was crying. After that moment I figured I didn’t have much choice but to be a songwriter.

 
What instrument do you play, and why?
 
Full disclosure – I started playing acoustic guitar at 16 specifically to get a girlfriend. It didn’t work, but I fell in love with music instead! My first instrument was actually drums, and that’s still my favorite one to play, but it’s hard to be a solo performer (or get a girlfriend) as a drummer.
 
How did the pandemic impact you as a performer, for better or worse?
 
Ooof, yeah the pandemic was rough for me as I know it was for all performers and gig workers. I had about four solid months of no gigs whatsoever, and then opportunities to play started coming back slowly. Today, two years later, I’m only just now back to what I would call a regular performing schedule. The benefit, though, was that all the extra time meant way more opportunities to write, so I write and virtually co-wrote songs like a madman! And I can credit the pandemic for helping me become a much better writer if we’re talking silver linings.
 
Does the place you grew up inspire you as an artist? If so, in what way?
 
Yes absolutely, I think Coastal Alabama is about as inspiring of a place to grow up in as a kid could ask for. Scenery-wise it’s full of gorgeous beaches and wildlife, which have been a great source of visual inspiration for me. It’s also still a developing area of the country, so if as a kid I didn’t experience hardship directly it was right there in front of me. And drawing from those stories has been just as powerful of a songwriting inspiration for me as my own experiences, if not more.
 
In what ways does the craft of songwriting still surprise you?
 
The magic!! I’m the type of person who wants to over-analyze and really dig into how things work so that I can improve. But songwriting really doesn’t work like that. You get better by practicing and try new methods and know how rhyme and meter work, but there’s still something unquantifiable about writing a song. Which, for me, can be frustrating, but it’s also incredible to experience in real time – songwriting is literally magical.
 
What are some of your creative goals for this year?
 
Well my goal every year is to get George Strait to record a song I wrote for him (haha) but I’m also actively playing more regional shows now that the world seems to be opening up for music again. My manager and I are pitching songs to publishing companies trying to get me a deal, and I’m still writing and performing all the time. My unrealistic goal is to quit my day job and do full-time music by the end of the year, and who knows? I’ve been pleasantly surprised too often to think it’s impossible!
 

Q+A With LEAF Singer-Songwriter Competition Finalist Sadie Gustafson-Zook

Friday, April 29th, 2022

Sadie Gustafson-Zook is a versatile singer, intricate guitar player, and contagious songwriter. Her pure voice and hummable melodies balance with witty lyrics to create charmingly honest and relatable music. Indiana-grown, Boston-nurtured, and Nashville-based, Sadie has brought her lovable stories and songs to audiences across the country, in homes, churches, and renowned folk venues and festivals across the country, including Club Passim, The Purple Fiddle, Walnut Valley Festival, Red Wing Roots, and more. Sadie is a two-time Kerrville New Folk finalist, has been featured on the Folk Alley and the Basic Folk podcast, and holds a master’s degree in Jazz and Contemporary Music from Longy School of Music in Cambridge, MA. On her new album “Sin of Certainty,” Sadie explores the process of questioning all that she had taken for granted, through finding a new community in the roots scene of Boston, studying jazz, and coming out as queer.

NewSong Music: What inspired you to enter the NewSong Contest?
 
Sadie: I have had a number of friends who have done well in this competition and it seems like NewSong treats the winners super well, especially in terms of continued publicity, and so that was a major factor that made the NewSong contest seem appealing. 
 
What was your introduction to music?
 
My parents are both musicians so I was kind of indoctrinated into a family band at the age of 6 (once I had been playing violin for two years), but music has generally been around me for my whole life. 
 
What is the first song you wrote that you were proud of, and why?
 
In 5th grade I wrote my first official song called “My Tears Are Melting Away,” which described an incident on the playground in which my crush was taken to the hospital in an ambulance, and I felt so many feelings about it, so I wrote those feelings into a song. I was proud of it because it was my first fully formed song that was more than a ditty, and it was a really helpful way for me to express my emotions (however dramatic they were as a 12 year old in love lol). 
 
What instrument do you play, and why?
 
I’d consider myself a multi-instrumentalist, but for songwriting I’ve found guitar to be my chosen instrument. I love (and hate) how complicated and versatile the guitar can be. Even though I started playing when I was 12 I never run out of new things to learn! I also have been working on banjo and grew up playing stringed instruments. 
 
How did the pandemic impact you as an artist (for better or worse)?
 
I went through many different phases in the pandemic as it relates to my artistry. I started off with a lot of momentum, running a kickstarter, and practicing for hours every day (though I could only do covers- for whatever reason I was pretty much unable to write for a large chunk of the pandemic). Then I kind of got into a slump where I wasn’t making much music at all. Around this time I also got a remote part-time job (in addition to teaching voice/guitar lessons over zoom), which took a lot of the pressure off of music to pay my bills. I think was a very positive thing that allowed me to start creating music again without the added stress of “I should be booking.” That being said, I felt really removed from music for a long time and I wasn’t sure what my future would look like. Between 2020-2021 I was also recording an album (in chunks) which felt like a really distinct detour from my normal pandemic life (and a reference to my pre-pandemic life). It was a really welcome reminder that I am a musician and I am skilled, but it also felt pretty surreal to travel to NYC, record, have this whole very musical experience, and then come back home to my slow indoor life. 

 
Does the place where you grew up inspire you as an artist? If so, in what way?
 
I grew up in a liberal Mennonite community in Indiana, and there was a huge emphasis on the importance of being of service to other people, which I think was confusing to me for a long time as it related to my songwriting. I found myself feeling like I wasn’t doing a good job unless I had a really tangibly service-oriented profession (like being a teacher or social worker, etc). But as I’ve grown up a bit and lived outside of my hometown I’ve found that my songs are actually quite helpful to a lot of people, and that devaluing their power is a disservice to my artistry. So I suppose I keep that in the back of my mind when I write songs now– the acknowledgement that simply by sharing my own experience I can help someone else feel more heard and understood, which is a really important job! 
 
In what ways does the craft of songwriting still surprise you?
 
It’s so easy to fall into a pattern of how I write music, and the more I write, the more clearly I can see what my tendencies are. Lately I’ve been listening to a lot of music and writing a lot, and it’s been a joy to notice interesting things that other songwriters do in their work, and to experiment with ways that I can incorporate those ideas in my songs. So I guess it’s just surprising that it’s such a unique process and there are so many ways to write a song!
 
What are some of your creative goals for this year?
 
I recently moved to Nashville, and since arriving I’ve found myself really digging into my creative pursuits (in all mediums). I’ve gotten really into print-making and embroidery, I’ve been digging into arranging my room, I’ve been spilling out songs (and keeping track of what I’ve written so even if it’s not a keeper, I still have record of my work), and I started the year strong with morning pages (freewriting 3 pages each morning- an idea from the book The Artist’s Way), which I’m hoping to recommit to soon. In addition to prioritizing these more solitary creative pursuits, I want to work with other people more, maybe make a band (especially since I now live around so many musicians) and play music with my friends!

Q+A with LEAF Singer-Songwriter Competition Finalist Rachard Dennis

Wednesday, April 27th, 2022

Poet-teacher-rapper Rachard Dennis is up next and ready to change the world. The Bossier native represents for his community and his culture, providing bars to uplift and rhymes to make you think. Rachard draws inspiration from a variety of musical genres to tell his story; historically Black art forms such as hip hop, gospel, jazz, neo-soul, and the blues all lend to his sonic profile. His brand, For The LO., is tatted on his arm and on his heart; for the burgeoning artist, For The LO. encompasses a movement of like-minded friends and family, all hoping to leave their musical mark on the world.

NewSong Music: What inspired you to enter the NewSong Contest?

Rachard Dennis: Last year, 2021, I entered the New Song International Songwriting Contest and came up short of being selected as a finalist, but Mr. Gar sent me a personal message that sort of lit a fire within me. This year I just wanted to take up the opportunity to be heard, so I shared a record that’s special to me and here we are.

What was your introduction to music?

I’m from the south and come from southern baptist gospel roots, so the hymns and praise and worship music of the church were my first musical experiences.

What is the first song you wrote that you were proud of, and why?

“Children of the Ghetto.” In that moment more than ever I knew I had written something so personal yet so universal. I feel like that’s a sweet transcendence that is often celebrated when accomplished.

What instrument do you play, and why?

No instruments. I tried to take up piano, but I never could devote the time and attention to it that it deserves. I believe the energy and effort that I placed into studying the craft of writing and learning to embrace my voice is an interesting alternative.

How did the pandemic impact you as an artist (for better or worse)?

I love performing, and to have the stage taken away from me at what was my most productive season, sucked. Yet, I can truly say that I grew as a writer and recording artist over that period of time. I was also able to redefine my purpose and goals within the arts.

Does the place where you grew up inspire you as an artist? If so, in what way?

Most definitely. It’s the backdrop to each of these stories I’m telling. Coming from a place like Bossier Parish, who many don’t know exists, gives me the opportunity and responsibility to introduce listeners to the land I call home.

In what ways does the craft of songwriting still surprise you?

I’ve been songwriting for 12 years now, and I feel as if I’m truly just touching the surface of my potential as a songwriter. There are great songs within me that will take working on the craft to get them out. That’s what I love about it, the devotion to the craft and the journey you go on to develop the ability to articulate a feeling, thought, experience, etc. so well.

What are some of your creative goals for this year?

Premiering a musical theater production in Shreveport, LA titled The Art of the Eulogy on October 1, 2022. As well as studio work with my bandmates, and hopefully some performance/touring opportunities.

Q+A with LEAF Singer-Songwriter Competition Finalist Our Band

Monday, April 25th, 2022

Our Band will win your heart. Steeped in the tradition of great male and female duets such as Johnny Cash and June Carter, Sasha Papernik and Justin Poindexter bring their award-winning songwriting, intimate harmonies, and Eastern-European flair to a rich Americana soundscape. Together, they have performed for audiences in some of the world’s greatest venues, from Carnegie Hall to Lincoln Center to the Smithsonian Museum of American Art. In 2018-19 they toured Poland, Germany and Estonia as ambassadors of American music for U.S. State Department. Their debut album, featuring American music legend David Amram, was released to critical acclaim in 2021.   

NewSong Music: What was your introduction to music?

Justin: My dad is a country singer and guitar player, and he played at a lot of NASCAR events when I was growing up. Though we certainly have different styles, the apple didn’t fall too far from the tree.

Sasha: I started playing classical piano when I was four and went through conservatory studying classical piano performance. 

What is the first song you wrote that you were proud of, and why?

Justin: I wrote a song for Alison Krauss once. She never sang it, and probably never even heard it, but I remember when I finished it, I knew that she would sound great singing it, and just having that feeling was new and amazing.

Sasha: I wrote a raw burner of a breakup song and it was SO MUCH FUN. I played it at a show at The Bitter End in New York City and although I’d performed for audiences since I was a little kid I’d never been so nervous in my life. Not interpreting someone else’s music like I’d always done but putting it all out there: my words, my music, my story, and connecting to people like that was electrifying. 

What instrument do you play, and why?

Justin: I play guitar, and it allows me to play in so many genres that I love, as well as giving me an excuse to keep lots of fun and sexy guitars around.

Sasha: I play the piano because I fell in love with everything about it when I was four. I also play the accordion because it channels my Eastern European heritage. 

How did the pandemic impact you as an artist (for better or worse)?

Justin: Being home consistently after several harried years of running around connected our family in deep and lasting ways. I’m proud of the team we have become.

Sasha: The pandemic highlighted for me how fleeting our time really is. I decided to focus on my young family, being an active member of my community, and the music that I truly wanted to play, compose, learn and teach. The pandemic didn’t give me more time – we were juggling a baby and a 4-year old with no childcare, but the time I did have was 100% spent on what I wanted to do. 

Does the place where you grew up inspire you as an artist? If so, in what way?

Justin: I grew up in North Carolina, and the people I grew up around are amazing, inspiring and hilarious characters. They are a wellspring of songwriting fodder.

Sasha: My parents are from Russia. Their story of immigration and my identity as a first generation American is a constant source of inspiration to me as an artist. 

In what ways does the craft of songwriting still surprise you?

Justin: It’s all architecture, but without some kind of sincere emotion, the house doesn’t stand. 

Sasha: I’m always still surprised when a great song seems to just make itself known – like it’s always been there – complete. 

What are some of your creative goals for this year?

Justin: Our recent collaboration with the wonderful lap steel player, Cindy Cashdollar, was incredibly fruitful. Sometimes I think having another collaborator can really bring out the best in mine and Sasha’s artistry. I hope to do more collaboration.

Sasha: I plan to begin work on a musical project telling the stories of my family and their friends as they immigrated to this country. 

NewSong Music announces finalists for 8th annual LEAF Festival singer-songwriter competition & showcase

Saturday, April 16th, 2022

NewSong Music announces the eight finalists who will perform at this year’s LEAF Festival singer-songwriter competition and showcase.

The event is a collaborative effort between NewSong Music and LEAF Community Arts. It aims to identify and recognize exceptional performers and songwriters from across the country. The finalists are invited to network and compete at the Spring LEAF Retreat, on Saturday, May 14.

This year’s finalists for the LEAF competition are: Grace Morrison, a country-pop artist based in Massachusetts; American Idol alum Stephen Sylvester, who calls the Gulf Coast home; Louisiana native Rachard Dennis, a poet-teacher-rapper; indie-folk artist Kristian Phillip Valentino, from North Carolina; Tennessee-based indie-rocker Kelly Hoppenjans; Sadie Gustafson-Zook, also based in Tennessee, a versatile singer and intricate guitarist; roots musician Philip Bowen from West Virginia; and Justin Poindexter + Sasha Papernik from New York who make up the award-winning Americana duo Our Band.

 

 

The winner of the LEAF Singer-Songwriter Competition, selected from a panel of music industry judges, will earn a spot as one of only eight finalists at the annual International NewSong Competition, held in Asheville in the fall. The winner will also return to the Fall LEAF Festival, held October 20-23, 2022, as a featured, paid performer.

The LEAF Singer-Songwriter Competition is always a memorable experience where songs are shared, friendships are forged, and great music finds a welcome and supportive audience. It’s worth noting that the event is not intended to be a cut-throat music competition. Instead, NewSong is committed to building and supporting a community and network of outstanding artists.

About NewSong Music

Now in its 21st year, NewSong Music is an independent artist development organization and independent record label. Its mission is to identify and celebrate truly exceptional artists, and to build and support a community of performers and songwriters across all genres of music.

About LEAF Community Arts

LEAF Community Arts is a 501 (c) 3 non-profit organization with a mission to connect cultures and create community through music and arts. LEAF is comprised of two key cultural arts education programs, LEAF Schools & Streets and LEAF International, as well as two signature events, LEAF Festival and LEAF Downtown.  Attendance at LEAF Festival provides a family-friendly weekend experience infused with music and arts while supporting the long-term vision of the organization. Since 1995, LEAF has served over 200,000+ youth with programs in over 15 community locations and in 10 countries worldwide. Learn more at www.theLEAF.org.

NewSong Artist Roundup: Alice Howe, Ben Lubeck, & More

Monday, July 1st, 2019

There are so many talented artists who are part of the NewSong family — it can sometimes be difficult to keep up! That’s why each week, we compile a list of new releases, shows, and videos from past NewSong artists who we think deserve your attention. 

Thinking about submitting to this year’s NewSong Music Singer Songwriter Competition? The Early Bird Deadline is July 15th. Submit your music here

 

Alice Howe — Visions

 

2018 NewSong finalist Alice Howe released a new album, Visions, this spring, and it’s a beautiful collection that deserves a spot in your summer rotation.

Via alicehowe.com: “Vistas and the faces and emotions they summon unfurl with compelling grace on Visions, Howe’s anticipated debut album. A modern love letter to 60s and 70s folk and timeless blues, Visions pays homage without succumbing to imitation, and offers an intimate snapshot of a young artist discovering her own power.”

 

Ben Lubeck (Farewell Milwaukee) — “For You Again”

 

We met Ben Lubeck, frontman of the band Farewell Milwaukee, in 2010 when he was a finalist in the NewSong competition. He recently released a series of singles, one of which is the lovely “For You Again.”  This song, explains Ben, “explores the many emotional ups and downs of a couple’s relationship as they add members to their family and the daily practice of cultivating each other’s hearts through the complex and mundane parts of life.” Check out this song as well as his other singles, “Mrs. Bluebird” and “The Show,” on the artist’s website.

Ana Egge — “Cocaine Cowboys”

 

Ana Egge recently released a dreamy new single, “Cocaine Cowboys,” which premiered on PopMatters

Via PopMatters: “This one started out as a song in tribute to life on the road and the camaraderie and friendship of bandmates and it quickly crossed into territory of honky-tonk life on the road,” says Ana Egge, reflecting on her new single, ‘Cocaine Cowboys.’ Hailing from her upcoming album, Is It the KissEgge’s latest is a mellow, sweetly ruminant folk tune that explores the romantic haze surrounding the stories of old-school country stars.”

Is It the Kiss is due for release in early September via StorySound Records. It is now available to pre-order.

‘Come Together’ series in NYC continues in July, August

Enjoy new original music inspired by the 50th anniversary of the Beatle’s Abbey Road album on Wednesdays, July 10, 17, 24 and 31, from 12:30 – 1:30 PM at One New York Plaza and Thursdays July 18, August 1 and August 15 at Brookfield Place. Performers include past NewSong finalists Kaiti Jones, Crys Matthews, Suzie Brown and Mel Bryant, as well as Asheville, NC-based bands Slow Packer and For Def. For event info, visit our Facebook page

 

Early Bird Deadline is July 15 for NewSong Music Competition 

We are proud of our ever-growing NewSong community and the support, camaraderie and networking that goes on among finalists stretching back through the competition’s 18 years.

Will this be the year you will submit your original music? The Early Bird Deadline is July 15! Visit our submissions page here

Weekly roundup: NewSong artist news 9/17-9/23

Monday, September 17th, 2018

We love to keep up with our past NewSong Music Contest finalists and winners, and, over the years, we have amassed a busy and hardworking group of musicians we admire. 

NewSong songwriters live and perform across the country, their work spans multiple genres, and these artists are always putting out new material. To keep track of all their news and upcoming shows, we will be highlighting NewSong artists in our weekly roundup. 

We’ve put together a list of five shows, publications and recordings we think you should be paying attention to this week. 

1. Rachael Kilgour – game changer Kickstarter Campaign ends Sept. 23

Rachael Kilgour is a Minnesota-born, Boston-based songwriter and performing artist whose sincere, lyric-driven work has been called both brave and humane. As the 2015 grand prize winner of the NewSong Music Performance & Songwriting Competition, Rachael has performed at Lincoln Center, The Kennedy Center in Washington D.C. and the ASCAP Music Cafe at the Sundance Film Festival. 

Rachael’s new EP, Game Changer, is produced by NewSong founder Gar Ragland and recorded at Echo Mountain Recording Studios in Asheville, NC. “I believe in what I do as a songwriter and as a human being committed to connecting with others and building emotional literacy and resiliency through stories and songs,” says Kilgour. “I am hopeful that you believe in me too.”

Take a look at Rachael’s Kickstarter and pre-order Game Changer today! Listen to Rachael’s past work on Spotify. 

2. Beth snapp – Bristol Rhythm & Roots Reunion Festival Sept. 21-22

Beth Snapp is keeping busy in the wake of her recent album release, Don’t Apologize. Catch her at the Bristol Rhythm & Roots Reunion Festival on September 21 and 22.

From the Festival: “The Festival hosts over 130 bands on 20 stages in downtown Bristol during the third weekend in September. Attendance has grown to approximately 45,000. Among its many accolades the Festival has been named as one of Rolling Stone’s ‘Top 20 Tours and Festivals,’ and has won a Grand Pinnacle Award from the International Festival and Events Association.” 

More festival information here. Listen to Beth Snapp’s latest album, Don’t Apologize, on Spotify and iTunes

3. Wilder Adkins – praise for “Marietta”

Wilder Adkins continues to garner praise from critics for his recent single release, “Marietta,” which takes its inspiration from the Bruce Springsteen classic “I’m Goin’ Down.” This time, the review comes from York Calling. “It may be a cover,” says the reviewer, “but Adkins has managed to make the track truly his own.”

Read the full review here. Listen to “Marietta” on Spotify

4. Brie Capone – Two old hippies Sept. 21

Brie Capone was a finalist in our 2017 NewSong Songwriting Competition and the winner of the 2017 LEAF Singer Songwriter Contest. This soulful and accomplished songwriter has been playing shows around the US after the release of her 2018 album, If I Let You In.

Catch her next show at Two Old Hippies in Nashville, TN on Friday Sept. 21 at 6 pm. Free show. For full event information, visit the event page on Facebook.

Listen to Brie Capone’s latest on Spotify

5. Chris velan – New album, Amateur Hour, now available

Montreal singer-songwriter and producer, Chris Velan, has always been crossing borders with his mix of world music-influenced, singer-songwriter pop. NewSong has had the pleasure to work with Chris Velan on past albums including, Glow (2016) and The Long Goodbye (2013).

We are loving his most recent work, so head over to your favorite music platform and give Amateur Hour a listen

You can explore Velan’s work via NewSong Recordings here

Weekly roundup: NewSong artist news

Monday, September 10th, 2018

We love to keep up with our past NewSong Music Contest finalists and winners, and, over the years, we have amassed a busy and hardworking group of musicians we admire. 

NewSong songwriters live and perform across the country, their work spans multiple genres, and these artists are always putting out new material. To keep track of all their news and upcoming shows, we will be highlighting NewSong artists in our weekly roundup. 

We’ve put together a list of five shows, publications and recordings we think you should be paying attention to this week. 

1. Beth Snapp – album review and upcoming shows

The Knoxville News Sentinel reviewed Beth Snapp’s new album, Don’t Apologize,” writing, “The beauty of the singer-songwriter’s work is … its actual beauty. … ‘Don’t Apologize’ is a poised, and occasionally playful, soundscape perfectly suited for Snapp’s vocals.”

Read the full review here. Listen to Beth Snapp’s Don’t Apologize on Spotify and iTunes

 

Catch a Beth Snapp show September 13th at the Old Oak Taproom in Greeneville, TN and again on September 14th at The Spinning Jenny in Greenville, SC. 

2. Wilder Adkins – “Dancing in the Dark”

Wilder Adkins has a new single out that should be in your rotation! Glide Magazine premiered the tune, writing, “[the song] flirts with glitchy Radiohead narratives, before Adkins offers his sincere vocals to complete the picture – giving this Springsteen classic its own personality.”

Check out his surprising and satisfying take on the Bruce Springsteen original, “Dancing in the Dark” on Spotify.  

3. Carly Taich – “My Own Stages”

Carly Taich, winner of this year’s LEAF Singer-Songwriter Contest, has released a new single titled, “My Own Stages.” The Mountain Xpress quotes Carly speaking to the inspiration behind the song: “I have a love-hate relationship with the technology I survive on, and I find myself wishing to experience, for even a day, this romantic past I’m not so sure ever existed.”

Check out “My Own Stages” on Spotify or your favorite music platform. 

4. Max Hatt // Edda Glass – upcoming performances

Max Hatt // Edda Glass will be performing September 12 in Idaho Falls, ID at the Carr Gallery at the Willard Arts Center presented by the Eastern Idaho Jazz Society and again on September 14  in  Cody, WY at The Cody Theatre presented by the Park County Arts Council. Can’t make the shows? Listen to the band’s latest on Spotify.

5. Blue Yonder – feature in Charleston Gazette-Mail

The Charleston Gazette-Mail featured The Blue Yonder this week. “As supergroups go,” says writer Billy Lynch, “you’d be hard-pressed to find one as unassuming as Charleston’s Blue Yonder.”

Read the full article here. Listen to the band’s new album, Rough and Ready Heart, on Spotify and iTunes.

Wilder Adkins releases new single, “Marietta”

Friday, August 17th, 2018

“Marietta” is the latest single from 2016 NewSong Music Competition Grand Prize Winner, Wilder Adkins.

 
Wilder Adkins, Alabama-based musician and 2016 Grand Prize Winner of the NewSong Music Competition, released a new single Friday, August 17. The song is called “Marietta,” and we asked Adkins to share his thoughts on the song’s meaning, his process and what is coming up next for this talented and prolific songwriter. 
 
NewSong: Could you tell us a little bit about the meaning behind the song? 
Adkins: “Marietta” is about someone who has to end a relationship because they know their partner isn’t happy and probably never will be — because they’re always chasing that next big thrill. The singer is “taking a fall,” knowing that he will be blamed, and that’s why he sings “I’m going down.”
 
Was there any particular impetus for writing it?
I was working on some Springsteen covers for a tribute show that I played over in Atlanta, and this was the next song that I wrote. So I think it was influenced a bit by that process and listening to some Heartland rock songs, but it has my own melancholy spin on things.
 

WIlder Adkins and producer Gar Ragland are currently working on a two volume recording project that was recently recorded at Asheville’s Echo Mountain Recording Studio.

In what ways has your songwriting process or point of view changed over time?
I think in some ways I have gotten faster at songwriting. I still take a while to finish most songs, but mainly because I don’t have a lot of free time to work on them. This song came pretty quickly, and I think part of that is because I’ve learned to stop trying to edit myself before putting the words down, as opposed to moving on and editing afterwards.  
 
What musical collaborations are featured on the recording?
My good friend Molly Parden sang harmonies with me. She is a great songwriter in her own right, but also performs frequently with notables such as Peter Bradley Adams, Matthew Perryman Jones, and David Ramirez. A Birmingham native, Jamison Harper, played the Baritone sax. Jamison is a visual artist, as well, so he is a very multi-talented guy. 
 
What’s next for you in your music career?
After this song releases, I am putting out a cover of Springsteen’s “Dancing in the Dark” next month. I’m also looking forward to finishing up a recording project at Echo Mountain Recording Studios in Asheville this fall. 
 

 
Listen to “Marietta” on Spotify.
Listen to “Marietta” on iTunes.
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