Posts Tagged ‘NewSong Music’

Meet Sanctuary Sessions performer Beth Snapp

Thursday, May 31st, 2018

Beth Snapp’s careful and sincere music drifts across genres, borrowing from folk, bluegrass, pop, early R&B and jazz. No matter what influences might drive her, all of her songs share the goal of good storytelling. Snapp will perform as part of the Sanctuary Sessions series Saturday, June 2nd at the Central United Methodist Church in downtown Asheville. Songwriter Wilder Adkins shares the bill.

Wilder Adkins and Beth Snapp will share the stage at the Central United Methodist Church in downtown Asheville June 2nd as part of NewSong Music’s Sanctuary Sessions series.

Snapp’s new EP, Don’t Apologize, was recently recorded at Asheville’s Echo Mountain Recording Studios with producer and NewSong Music founder Gar Ragland at the helm. “When I first stepped into Echo Mountain during the NewSong Songwriting competition, it was immediately clear this was a very special place,” says Snapp, who is a past competitor in the NewSong competition. She told herself that he next project would be recorded at the Asheville studio. “Luckily, I was able to make it happen, and recording there was no less magical,” she says. The EP will be released in August.

 

 

The Sanctuary Sessions are a benefit for Blue Ridge Public Radio, a cause that Snapp supports one hundred percent. “I think public radio’s role is just as important as independent and local music in our communities,” she says. “Both independent music and public radio offer diverse perspectives in art that one may lose in mainstream formats. They both support local arts and businesses, which generate community awareness and promote pouring back into the community.”

Of her performance June 2nd, Snapp says, “I am definitely excited to share the stage with Wilder Adkins.We may have a little surprise in store.”

WHAT: Sanctuary Sessions: Beth Snapp and Wilder Adkins

WHERE: Central United Methodist Church, 27 Church Street, downtown Asheville

WHEN: Saturday June 2; Doors: 7 / Show: 7:30

TICKETS: $15 advance / $20 day of show; advance tickets available theorangepeel.net  

 

Meet Sanctuary Sessions performer Wilder Adkins

Tuesday, May 29th, 2018

Wilder Adkins and Beth Snapp will share the stage at the Central United Methodist Church in downtown Asheville June 2nd.

 

Wilder Adkins’s songwriting nods to the earthy poetry of Wendell Berry and Mary Oliver as well as folk giants Richard Thompson and Bruce Cockburn. His dry wit and deft guitar playing shine through in his work, which explores thematic territories ranging from love and hope to pirate songs. The Birmingham, Alabama-based musician and 2016 Grand Prize Winner of the NewSong Music Songwriting Competition will perform as part of the Sanctuary Sessions series on Saturday, June 2nd at the Central United Methodist Church in downtown Asheville. Songwriter Beth Snapp shares the bill. 

 

The Sanctuary Sessions are a benefit for Blue Ridge Public Radio, with performances taking place the first three Saturday evenings in June (June 2, 9, 16). Those attending the Sanctuary Sessions may be as taken by the artists as they are by the beautiful and acoustically stunning venue. “The venue, Central United Methodist Church, sounds lovely,” says Adkins. “I have heard that Methodists only sprinkle for baptism instead of dunking. That sounds good to me because I don’t want to have to change clothes.”

Adkins is one of many past NewSong contestants sharing their tunes at the Sanctuary Sessions series. “Being part of the NewSong family has given me the chance to play for a much wider audience at some of the nations best venues,” says Adkins. “NewSong has a great network of artists, as well, who are great for networking with.”

Adkins says he is always working on something new. He will put out a Springsteen cover this summer and is looking forward to finishing up a new album this fall. “Also on the horizon,” says the songwriter, “a lullaby album and a collection of pirate songs.” And why not? We will gladly listen to whatever this clever and heartfelt songwriter from Alabama puts out.

WHAT: Sanctuary Sessions: Wilder Adkins and Beth Snapp

WHERE: Central United Methodist Church, 27 Church Street, downtown Asheville

WHEN: Saturday June 2; Doors: 7 / Show: 7:30

TICKETS: $15 advance / $20 day of show; advance tickets available theorangepeel.net  

Crys Matthews wins the 2017 NewSong Music Performance and Songwriting Competition

Tuesday, December 5th, 2017

Crys Matthews was named the grand-prize winner in the 2017 NewSong Music Performance & Songwriting Competition after performing, along with other finalists, during a live music showcase at Lincoln Center for the Performing Arts’ David Rubenstein Atrium in New York City on Thursday, November 30.

 

Grand prize winner Crys Matthews performing in the live performance finals of the NewSong Music Competition at Lincoln Center in New York on Thursday.

 

Now in its 16th year, the competition showcases emerging performing songwriters. NewSong Music is an independent music organization that aims to build a supportive community of performers and songwriters across various genres of music and skill levels, while identifying truly exceptional artists and introducing their music to a broader international audience.

Click here for a photo gallery of the live performance finals.
Click here to listen to the 2017 finalists playlist on Spotify.


“Each year, the NewSong Music Competition presents one of the strongest platforms for music discovery by giving many of today’s most talented singer-songwriters a way to connect with a wider audience. Its rich legacy of shining a spotlight on incredible artists continues with this year’s grand prize winner, Crys Matthews. While all of the finalists were compelling in their own way, Matthews won hearts and minds with her infectious folk/blues songs that boldly explored everything from the follies of the human heart to our current political milieu. By wrapping honest emotions around her socially conscious messages and dynamically delivering them with a warm heart and a strong voice, she lifted our spirits just when we need it most in these troubled times. ASCAP will be honored to showcase her at the 2018 Sundance ASCAP Music Cafe in January.”  – Erik Philbrook, ASCAP VP/Creative Director and NewSong Music Judge

 “This year’s competition showcased the most talented and diverse cross section of the singer-songwriter category to date. We had musical theater, dark sad love songs and uplifting calls to action. Being a judge this year was challenging as each artist displayed talent and strength. Crys Mathews is a necessary voice. Her depth coupled with her openness and approachability was unmatched. She has a spark that is contagious and shares music that unites us and makes us think.” – Viviana Benitez, Associate Producer at Lincoln Center and NewSong judge


Matthews, a prolific songwriter — whose music blends Americana, blues, bluegrass, folk, funk, and jazz – has drawn comparisons to such other artists as Tracy Chapman, Ruthie Foster and Toshi Reagon. She recently released a new full-length CD, The Imagineers, as well as an EP, Battle Hymn for an Army of Lovers

As the NewSong Music competition’s grand-prize winner, she will receive a six-song EP, recorded and mixed at Asheville, North Carolina’s Echo Mountain Recording Studios and released on the NewSong Recordings label; a featured performance at the ASCAP Music Café during the 2018 Sundance Film Festival in Park City, Utah; and future performance opportunities across the U.S., curated by NewSong Music.

“When my name was called, I was absolutely ecstatic,” said Matthews. “To be chosen as the grand-prize winner [from] among so many incredibly talented songwriters was an amazing feeling. To now be included among the ranks of artists I greatly admire – Rachael Kilgour, Wilder Adkins, Liz Longley – is just such an honor. I’m so grateful for every aspect of this experience – getting to play Lincoln Center, planting the seeds of so many new friendships among my fellow finalists, getting to record and release a new project and, thanks to ASCAP, getting to play at the Sundance Film Festival in 2018. I can’t wait to see what the future holds. Thank you for believing in me, NewSong Music!”

Invitations also will be extended to other 2017 competition finalists and standouts to participate in future NewSong Music events in various U.S. locations. They also will be given consideration for film and television placement opportunities as well as for future releases on NewSong Recordings. This year’s finalists included Biscay (London, England), Jerome Brooks, Jr. (New York, NY), Brie Capone (Asheville, NC), Dave Ray Cecil (Greensboro, NC), David Robert King (Decatur, GA), Becca Leigh (Charleston, SC), Andrea Lopez (Miami, FL), Cary Morin (Fort Collins, CO), and India Ramey (Nashville, TN).

– by Michael Kornfeld, editor and publisher of AcousticMusicScene.com, an online publication for the folk, roots and singer-songwriter communities.

Billboard premieres heartwrenching single ‘Deep Bruises’ from Rachael Kilgour’s forthcoming album Rabbit in the Road

Tuesday, February 7th, 2017

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Billboard premieres heartwrenching single ‘Deep Bruises’ from Rachael Kilgour’s forthcoming album Rabbit in the Road

“[the track is] a heartfelt slice of master crafted indie folk brimming with the battle-tested capacity to endure the worst in others.” – Billboard
 
ANNOUNCES UPCOMING WINTER & SPRING TOUR DATES

RABBIT IN THE ROAD OUT 3/3/2017 VIA NEWSONG RECORDINGS

 

AUDIO: “Deep Bruises”/Soundcloud + Billboard (available for posting)

Rachael Kilgour is a Minnesota-based songwriter and performing artist whose sincere, lyric-driven work has been called both brave and humane. The 2015 grand prize winner of the international NewSong Music Performance & Songwriting Competition, Kilgour has been featured at NYC’s Lincoln Center and by the ASCAP Music Café at the Sundance Film Festival. She was also a finalist in the 2015 Telluride Troubadour Contest. A versatile performer, Kilgour has shared stages with the likes of indie artists Haley Bonar & Jeremy Messersmith as well as folk legends Greg Brown, Cheryl Wheeler & Catie Curtis.

Kilgour married in her early twenties and devoted the rest of the decade to parenting her stepchild and building family and community. Her work from that time (Self-Titled 2008, Will You Marry Me? 2011, Whistleblower’s Manifesto 2013) chronicled her life as a young parent in a same-sex partnership and addressed sociopolitical issues from government corruption to income inequality to religious hypocrisy. Kilgour’s music career took a backseat during those years as she lived a slow, home-focused life.

In 2014, divorce brought an unwanted and excruciating end to her role as a member of her family. The sudden shift left her deep in grief. Kilgour spent many months processing with friends, family, and therapists and found solace in songwriting. Kilgour’s forthcoming album, Rabbit in the Road, was born out of that time: the love, loss, betrayal, disorientation and the profound sense of resilience that followed.

“While I have always felt a strong pull to address social injustices from the stage, this new collection of work requires something new of me,” Kilgour shared. “I feel called to use my platform to address emotion and grief and forgiveness in a way that is not often done in our culture.”

Though the album was instigated by a particular event in her life, each track explores a different aspect of Kilgour’s emotional journey. “I was taught from a young age that a person’s hurtful behavior is almost always a sign of inner pain and not a reflection of your self-worth. The second track on the album, ‘Deep Bruises’, was my attempt to put that belief into practice under the most difficult circumstances.”

Later, in “Ready Freddie”Kilgour professes an unyielding confidence in her step-daughter as she steps into adolescence. In the title track, Kilgour examines the dualities of forgiveness. As is true of the album in its entirety, the detailed examination of Kilgour’s relationships and emotions is surprisingly universal:

“With your hands around his neck, You spared his misery, How swift you gave that rabbit, What you couldn’t give to me”

Rabbit in the Road, due out March 3rd, 2017 on NewSong Recordings, was co-produced by Catie Curtis, Gar Ragland and Crit Harmon, who engineered the album. The album was mixed by Gar Ragland at Echo Mountain Recording Studios in Asheville, NC. The album takes an intimate and often painful look at the failed marriage and loss of family. Kilgour’s writing and delivery cut deep, with resolute simplicity. Sorrow, rage, resilience and compassion exist side by side within a series of honest and memorable melodies. The collection of work stands tall on a foundation of vulnerability and opens the door to moments of profound connection.

Today, the heartwrenching first track from the record, “Deep Bruises,” has premiered at Billboard, who say, “[the track is ] a heartfelt slice of master crafted indie folk brimming with the battle-tested capacity to endure the worst in others.. When Kilgour sings ‘No one’s predictable as you,’ there’s a steadfast confidence to her voice, which lingers around the guitar and keystrokes like smoke above a dying fire. There’s hints of Stevie Nicks and Neko Case in her pensive, almost rustic vocals, which do great justice to the song’s solemn mood.”

Rabbit in the Road is set for release 3/3/17 via NewSong Recordings, preorder available here.

***
Upcoming Rachael Kilgour dates:
2/4 @ Eat My Words Bookstore, Minneapolis, MN
2/10 @ House Concert, Hibbing, MN
2/11 @ Prairie Wind, Windom, MN
2/17 @ House Concert, Eagan, MN
2/18 @ House Concert, Minneapolis, MN
2/24 @ Uncommon Ground, Chicago, Ill.
2/25 @ The Broad Museum, Lansing, MI
2/25 @ The Pumphouse, Lansing, MI
3/3 @ The Park Theater, Hayward, WI.
3/4 @ Crescendo Madison, WI. with Josh Harty
3/11 @ House Concert, Cedar Rapids, IA
3/12 @ Des Moines Social Club, Des Monies, IA
3/22 @ Glensheen Mansion Unplugged Series, Duluth, MN
3/23 @ Root Note, La Crosse, WI
4/1 @ Cedar Cultural Center, Minneapolis, MN with Lucy Kaplansky
4/23 @ Jubilee House Concert, Duluth, MN
May 6 @ Circle of Friends Coffee House, Franklin, MA. with Catie Curtis
May 11 @ Light Club Lamp Shop, Burlington, VT.
May 18 @ One Longfellow Square, Portland, ME w/ Connor Garvey and Caroline Spence
May 20 @ Burghsong Concert Series, Pittsburgh, PA

***

Rachael Kilgour
Rabbit in the Road
Out 3/3/2017 via NewSong Recordings

Tracklisting:
You’re Through
Deep Bruises
Ready Freddie
Up From Down
Still My Wife
Don’t Need Anyone
Rabbit in the Road
Mama
Hit by a Bus
I Pray
Break Wide Open

 

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Publicist: Amanda Dissinger, Terrorbird 
Radio: Shannon Kurlander, Terrorbird
Licensing: Scott Cresto, Music Alternatives

Wilder Adkins to perform at Sundance Film Festival’s ASCAP Music Café this Thursday and Friday afternoon

Wednesday, January 25th, 2017

Watch via Facebook Live on NewSong Music’s page

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2016 NewSong Music grand prize winner Wilder Adkins’ songwriting gleans as much from the earthy poetry of Wendell Berry and Mary Oliver as it does from the works of folk luminaries Richard Thompson and Bruce Cockburn. He’s a true theosophical spirit, arrestingly taciturn, but possessed of startling guitar skills, a wit as dry as October leaves, and a tremulous, dented voice that’s frankly mesmerizing.

His courtly-but-witty lyrics evoke a Deep South Shelley or Yeats, riding a joyful guitar dexterity. Adkins’ songs, steeped in natural imagery, frequently touch upon the subjects of faith, doubt, and as the title of his new album would indicate, hope and sorrow.

Wilder performs two sets at this year’s Sundance Film Festival’s ASCAP Music Café, and you can tune in to watch and listen via Facebook Live on NewSong Music’s Facebook page at 2:00 PM MST both this Thursday (1/26) and Friday (1/27).

“By turns haunting, spectral, tender and tenacious, Adkins is a master when it comes to conveying uncommon emotion, relying on minimal arrangements that sometimes seem suspended in the ether” – Elmore Magazine

WATCH THE LIVE STREAM ON FACEBOOK

Wilder Adkins on the web
Web: wilderadkins.com/
Facebook: facebook.com/WilderMusic/
Twitter: twitter.com/WilderMusic
Instagram: instagram.com/wildhare_radkins/

2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

Monday, January 16th, 2017

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2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

“This is a song about the city of Birmingham, Alabama and the struggles of the civil rights movement in the 1960s,” says Adkins, a Birmingham resident himself. “It is also an anthem for peace and a call to keep hoping and never give up fighting darkness with the power of light.”


ABOUT WILDER ADKINS
Wilder Adkins15698210_881465828570_6907624843770016758_n songwriting gleans as much from the earthy poetry of Wendell Berry and Mary Oliver as it does from the works of folk luminaries Richard Thompson and Bruce Cockburn. His courtly-but-witty lyrics evoke a Deep South Shelley or Yeats, riding a joyful guitar dexterity.

Adkins hails from Marietta, GA, but now lives and writes in Birmingham, AL. He grew up listening to his dad play renditions of Neil Young and Van Morrison songs on an old Guild Jumbo Acoustic. Adkins’ songs, steeped in natural imagery, frequently touch upon the subjects of faith, doubt, and as the title of his new album would indicate, hope and sorrow.

Adkins is the grand prize winner of the 2016 international NewSong Music Performance & Songwriting Competition.


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Congratulations to Wilder Adkins, the 2016 NewSong Grand Prize Winner

Tuesday, December 13th, 2016

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Introducing the 2016 NewSong Grand Prize Winner: Wilder Adkins

Congratulations to Wilder Adkins, this year’s grand prize winner of the 15th Annual NewSong Music Showcase and Competition. Adkins took top honors on Saturday night at Lincoln Center’s David Rubenstein Atrium in New York City.

Adkin’s songwriting is steeped in earthy poetry and is imbued with a theosophical spirit. Thematically, his songs frequently touch upon faith, doubt and the natural world. He counts poets Wendell Berry and Mary Oliver among his influences, as well as Neil Young and Van Morrison. His aptly titled latest album, Hope and Sorrow, is a characteristic marrying of poetry and musicality.

“Getting to meet and hang out with the other NewSong Music finalists totally affirmed for me that this is a supportive community of artists serious about their craft. Playing at Lincoln Center in New York at the Holidays was a dream come true. Being named the winner of such a talented pool of songwriters is an incredible honor and one of my proudest moments!” – Wilder Adkins, 2016 NewSong Grand Prize Winner

Click here for a photo gallery of the live performance finals.

“The NewSong Music Competition is one of the country’s strongest platforms for discovering and showcasing some of the today’s most talented, emerging and most deserving singer-songwriters. It has a rich legacy of shining a spotlight on true artists who are serious about their craft. While all of this year’s finalists were compelling in their own way, this year’s winner, Wilder Adkins is an extraordinarily gifted lyricist, vocalist and guitarist from Birmingham, Alabama, who mesmerized everyone in the room at Lincoln Center. He’s the real deal and I’m thrilled to play a part in exposing him to a wider audience.”  – Erik Philbrook, NewSong Music judge and ASCAP VP and Creative Director

“We had another outstanding group of finalists this year, which made our job as judges all the more challenging. But after the first two rounds, Wilder’s deeply poetic songcraft – paired with a passionate and at times comical performance – led him directly to this year’s top honor. We look forward to working with him over the next year and beyond, and to help him and the rest of his fellow finalists take their music to the broader audience they richly deserve.”  – Gar Ragland, NewSong Music Producer and Co-founder

#MeetTheJudges: Erik Philbrook, Vice President and Creative Director of ASCAP

Friday, December 9th, 2016

Erik Philbrook

ASCAP’s VP and Creative Director

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Erik Philbrook serves as ASCAP’s VP and Creative Director. In addition to writing editorial, producing video and managing content for ASCAP’s various media channels, he has interviewed and written about many of today’s leading songwriters and composers from across the musical spectrum, from legendary icons to today’s emerging artists. He has helped lead ASCAP’s advocacy efforts in protecting songwriter rights in the digital age. And he has played an essential role in the success of high-profile ASCAP events such as the Sundance ASCAP Music Café and the ASCAP “I Create Music” EXPO, where he has interviewed on stage many top music creators, including Tom Petty, John Mayer, Bon Jovi, ELO’s Jeff Lynne, Ingrid Michaelson, Jimmy Jam and Terry Lewis, Steve Lillywhite and many others. In addition, Philbrook is a songwriter and musician himself, having recorded three acclaimed albums with his band NYC-based band The Brilliant Mistakes.

#MeetTheJudges: Elysa Marden of Arts Brookfield

Friday, December 9th, 2016

MEERA DUGAL

2016 NewSong Music Performance & Songwriting Competition

EM at Grace

Elysa Marden is a curator and producer based in NYC. She is currently the Co-Director of Art Brookfield, a national public arts program that produces, commissions, and presents music, dance, film, visual art and spoken word year-round and free to the public. She has had the pleasure of working with NewSong Music to present NewSong artists in Brookfield spaces in NYC and Denver for 8 years.

 

#MeetTheJudges: Meera Dugal (Lincoln Center)

Friday, December 9th, 2016

MEERA DUGAL

2016 NewSong Music Performance & Songwriting Competition

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Meera Dugal is the Programming Manager for the David Rubenstein Atrium at Lincoln Center. The Atrium is home to over 100 free, extremely eclectic performances a year that are curated with the aim to reflect the diversity present in New York City. Originally from Charleston, Meera has a Bachelor of Arts from New York University’s Gallatin School where she studied ethnomusicology. Before coming to Lincoln Center, Meera worked with globalFEST, The National Jazz Museum in Harlem, The Jazz Gallery, and Iraqi-American musician Amir ElSaffar. She is the manager for the New York-based traditional Moroccan Gnawa sextet Innov Gnawa and a member of Women of Color in the Arts.