Posts Tagged ‘NewSong Music’

Q+A with LEAF Singer-Songwriter Competition Finalist Kelly Hoppenjans

Wednesday, May 4th, 2022
Nashville singer-songwriter Kelly Hoppenjans creates empowering rock, combining the spirit of riot grrrl tinged with folky introspection. The follow-up to her energetic 2019 full-length debut, OK, I Feel Better Now, her new EP Can’t Get the Dark Out dives deep into relationships, fate, and breaking free of toxic patterns. The EP is inspired in part by Hoppenjans’ journey of finding love during the pandemic: navigating online dating, confinement, and impending life changes to sustain that love.
 

NewSong Music: What was your introduction to music?

Kelly: I asked for a guitar for Christmas when I was about 10 years old, because I thought girls who played guitar were cool and I wanted to be just like Jewel — I’m a ’90s kid through and through! 

What is the first song you wrote that you were proud of, and why?

 
I wrote some pretty cringey songs when I was a kid, but I was still proud of them at the time! As an adult, the first song I was really truly proud of was called “Bird in a Tree,” and it’s on the first EP I ever released. I wrote it to remind myself why I make music, and that’s because it makes me happy, not because I want the accolades or the glory. I used to sing it at bar gigs when I was background noise, to make myself feel better about the fact that nobody was listening. And I still really love that song, years later! 

What are some of your creative goals for this year?
 
I’ve been working on writing poetry as a new creative outlet for the past few years, and I’m hoping to publish a collection of poems this year! Other than that, just writing songs and trying to stay balanced 🙂 
 

Q+A with LEAF Singer-Songwriter Competition Finalist Kristian Phillip Valentino

Tuesday, May 3rd, 2022

Kristian Phillip Valentino is a solo acoustic, singer-songwriter born and raised in the Chicago suburbs and now residing in the Blue Ridge Mountains of Asheville, North Carolina. His musical palette falls between the lines of indie folk, singer-songwriter and Americana. Fans of Gregory Alan Isakov, Iron and Wine and Jason Isbell will feel comfortable here. His lyrics are a healing balm from the daily struggle as they wash over you with a deep reverence. 

After the passing of his father, ending up homeless and being broken up with all within one month, Kristian began writing songs in the summer of 2010, as a way to start processing all he’d been through and begin the healing process.

NewSong Music: What inspired you to enter the NewSong Contest?

KVP: I’ve entered the past few years and I’ve heard great things from prior winners. The exposure alone is worth the submission. 

How did the pandemic impact you as an artist (for better or worse)?

I took the pandemic as a sign to work on personal growth and my mental health overall. I believe because I did this my songwriting and personal life have greatly improved. Some of my best songs have come from this time.

In what ways does the craft of songwriting still surprise you?

I find myself being surprised all the time. Especially when a melody pops up over chords I’ve been playing over and over through the years. It’s like the songs find me first and I just follow along to the finish line.

Q+A With LEAF Singer-Songwriter Competition Finalist Sadie Gustafson-Zook

Friday, April 29th, 2022

Sadie Gustafson-Zook is a versatile singer, intricate guitar player, and contagious songwriter. Her pure voice and hummable melodies balance with witty lyrics to create charmingly honest and relatable music. Indiana-grown, Boston-nurtured, and Nashville-based, Sadie has brought her lovable stories and songs to audiences across the country, in homes, churches, and renowned folk venues and festivals across the country, including Club Passim, The Purple Fiddle, Walnut Valley Festival, Red Wing Roots, and more. Sadie is a two-time Kerrville New Folk finalist, has been featured on the Folk Alley and the Basic Folk podcast, and holds a master’s degree in Jazz and Contemporary Music from Longy School of Music in Cambridge, MA. On her new album “Sin of Certainty,” Sadie explores the process of questioning all that she had taken for granted, through finding a new community in the roots scene of Boston, studying jazz, and coming out as queer.

NewSong Music: What inspired you to enter the NewSong Contest?
 
Sadie: I have had a number of friends who have done well in this competition and it seems like NewSong treats the winners super well, especially in terms of continued publicity, and so that was a major factor that made the NewSong contest seem appealing. 
 
What was your introduction to music?
 
My parents are both musicians so I was kind of indoctrinated into a family band at the age of 6 (once I had been playing violin for two years), but music has generally been around me for my whole life. 
 
What is the first song you wrote that you were proud of, and why?
 
In 5th grade I wrote my first official song called “My Tears Are Melting Away,” which described an incident on the playground in which my crush was taken to the hospital in an ambulance, and I felt so many feelings about it, so I wrote those feelings into a song. I was proud of it because it was my first fully formed song that was more than a ditty, and it was a really helpful way for me to express my emotions (however dramatic they were as a 12 year old in love lol). 
 
What instrument do you play, and why?
 
I’d consider myself a multi-instrumentalist, but for songwriting I’ve found guitar to be my chosen instrument. I love (and hate) how complicated and versatile the guitar can be. Even though I started playing when I was 12 I never run out of new things to learn! I also have been working on banjo and grew up playing stringed instruments. 
 
How did the pandemic impact you as an artist (for better or worse)?
 
I went through many different phases in the pandemic as it relates to my artistry. I started off with a lot of momentum, running a kickstarter, and practicing for hours every day (though I could only do covers- for whatever reason I was pretty much unable to write for a large chunk of the pandemic). Then I kind of got into a slump where I wasn’t making much music at all. Around this time I also got a remote part-time job (in addition to teaching voice/guitar lessons over zoom), which took a lot of the pressure off of music to pay my bills. I think was a very positive thing that allowed me to start creating music again without the added stress of “I should be booking.” That being said, I felt really removed from music for a long time and I wasn’t sure what my future would look like. Between 2020-2021 I was also recording an album (in chunks) which felt like a really distinct detour from my normal pandemic life (and a reference to my pre-pandemic life). It was a really welcome reminder that I am a musician and I am skilled, but it also felt pretty surreal to travel to NYC, record, have this whole very musical experience, and then come back home to my slow indoor life. 

 
Does the place where you grew up inspire you as an artist? If so, in what way?
 
I grew up in a liberal Mennonite community in Indiana, and there was a huge emphasis on the importance of being of service to other people, which I think was confusing to me for a long time as it related to my songwriting. I found myself feeling like I wasn’t doing a good job unless I had a really tangibly service-oriented profession (like being a teacher or social worker, etc). But as I’ve grown up a bit and lived outside of my hometown I’ve found that my songs are actually quite helpful to a lot of people, and that devaluing their power is a disservice to my artistry. So I suppose I keep that in the back of my mind when I write songs now– the acknowledgement that simply by sharing my own experience I can help someone else feel more heard and understood, which is a really important job! 
 
In what ways does the craft of songwriting still surprise you?
 
It’s so easy to fall into a pattern of how I write music, and the more I write, the more clearly I can see what my tendencies are. Lately I’ve been listening to a lot of music and writing a lot, and it’s been a joy to notice interesting things that other songwriters do in their work, and to experiment with ways that I can incorporate those ideas in my songs. So I guess it’s just surprising that it’s such a unique process and there are so many ways to write a song!
 
What are some of your creative goals for this year?
 
I recently moved to Nashville, and since arriving I’ve found myself really digging into my creative pursuits (in all mediums). I’ve gotten really into print-making and embroidery, I’ve been digging into arranging my room, I’ve been spilling out songs (and keeping track of what I’ve written so even if it’s not a keeper, I still have record of my work), and I started the year strong with morning pages (freewriting 3 pages each morning- an idea from the book The Artist’s Way), which I’m hoping to recommit to soon. In addition to prioritizing these more solitary creative pursuits, I want to work with other people more, maybe make a band (especially since I now live around so many musicians) and play music with my friends!

Q+A with LEAF Singer-Songwriter Competition Finalist Rachard Dennis

Wednesday, April 27th, 2022

Poet-teacher-rapper Rachard Dennis is up next and ready to change the world. The Bossier native represents for his community and his culture, providing bars to uplift and rhymes to make you think. Rachard draws inspiration from a variety of musical genres to tell his story; historically Black art forms such as hip hop, gospel, jazz, neo-soul, and the blues all lend to his sonic profile. His brand, For The LO., is tatted on his arm and on his heart; for the burgeoning artist, For The LO. encompasses a movement of like-minded friends and family, all hoping to leave their musical mark on the world.

NewSong Music: What inspired you to enter the NewSong Contest?

Rachard Dennis: Last year, 2021, I entered the New Song International Songwriting Contest and came up short of being selected as a finalist, but Mr. Gar sent me a personal message that sort of lit a fire within me. This year I just wanted to take up the opportunity to be heard, so I shared a record that’s special to me and here we are.

What was your introduction to music?

I’m from the south and come from southern baptist gospel roots, so the hymns and praise and worship music of the church were my first musical experiences.

What is the first song you wrote that you were proud of, and why?

“Children of the Ghetto.” In that moment more than ever I knew I had written something so personal yet so universal. I feel like that’s a sweet transcendence that is often celebrated when accomplished.

What instrument do you play, and why?

No instruments. I tried to take up piano, but I never could devote the time and attention to it that it deserves. I believe the energy and effort that I placed into studying the craft of writing and learning to embrace my voice is an interesting alternative.

How did the pandemic impact you as an artist (for better or worse)?

I love performing, and to have the stage taken away from me at what was my most productive season, sucked. Yet, I can truly say that I grew as a writer and recording artist over that period of time. I was also able to redefine my purpose and goals within the arts.

Does the place where you grew up inspire you as an artist? If so, in what way?

Most definitely. It’s the backdrop to each of these stories I’m telling. Coming from a place like Bossier Parish, who many don’t know exists, gives me the opportunity and responsibility to introduce listeners to the land I call home.

In what ways does the craft of songwriting still surprise you?

I’ve been songwriting for 12 years now, and I feel as if I’m truly just touching the surface of my potential as a songwriter. There are great songs within me that will take working on the craft to get them out. That’s what I love about it, the devotion to the craft and the journey you go on to develop the ability to articulate a feeling, thought, experience, etc. so well.

What are some of your creative goals for this year?

Premiering a musical theater production in Shreveport, LA titled The Art of the Eulogy on October 1, 2022. As well as studio work with my bandmates, and hopefully some performance/touring opportunities.

Q+A with LEAF Singer-Songwriter Competition Finalist Our Band

Monday, April 25th, 2022

Our Band will win your heart. Steeped in the tradition of great male and female duets such as Johnny Cash and June Carter, Sasha Papernik and Justin Poindexter bring their award-winning songwriting, intimate harmonies, and Eastern-European flair to a rich Americana soundscape. Together, they have performed for audiences in some of the world’s greatest venues, from Carnegie Hall to Lincoln Center to the Smithsonian Museum of American Art. In 2018-19 they toured Poland, Germany and Estonia as ambassadors of American music for U.S. State Department. Their debut album, featuring American music legend David Amram, was released to critical acclaim in 2021.   

NewSong Music: What was your introduction to music?

Justin: My dad is a country singer and guitar player, and he played at a lot of NASCAR events when I was growing up. Though we certainly have different styles, the apple didn’t fall too far from the tree.

Sasha: I started playing classical piano when I was four and went through conservatory studying classical piano performance. 

What is the first song you wrote that you were proud of, and why?

Justin: I wrote a song for Alison Krauss once. She never sang it, and probably never even heard it, but I remember when I finished it, I knew that she would sound great singing it, and just having that feeling was new and amazing.

Sasha: I wrote a raw burner of a breakup song and it was SO MUCH FUN. I played it at a show at The Bitter End in New York City and although I’d performed for audiences since I was a little kid I’d never been so nervous in my life. Not interpreting someone else’s music like I’d always done but putting it all out there: my words, my music, my story, and connecting to people like that was electrifying. 

What instrument do you play, and why?

Justin: I play guitar, and it allows me to play in so many genres that I love, as well as giving me an excuse to keep lots of fun and sexy guitars around.

Sasha: I play the piano because I fell in love with everything about it when I was four. I also play the accordion because it channels my Eastern European heritage. 

How did the pandemic impact you as an artist (for better or worse)?

Justin: Being home consistently after several harried years of running around connected our family in deep and lasting ways. I’m proud of the team we have become.

Sasha: The pandemic highlighted for me how fleeting our time really is. I decided to focus on my young family, being an active member of my community, and the music that I truly wanted to play, compose, learn and teach. The pandemic didn’t give me more time – we were juggling a baby and a 4-year old with no childcare, but the time I did have was 100% spent on what I wanted to do. 

Does the place where you grew up inspire you as an artist? If so, in what way?

Justin: I grew up in North Carolina, and the people I grew up around are amazing, inspiring and hilarious characters. They are a wellspring of songwriting fodder.

Sasha: My parents are from Russia. Their story of immigration and my identity as a first generation American is a constant source of inspiration to me as an artist. 

In what ways does the craft of songwriting still surprise you?

Justin: It’s all architecture, but without some kind of sincere emotion, the house doesn’t stand. 

Sasha: I’m always still surprised when a great song seems to just make itself known – like it’s always been there – complete. 

What are some of your creative goals for this year?

Justin: Our recent collaboration with the wonderful lap steel player, Cindy Cashdollar, was incredibly fruitful. Sometimes I think having another collaborator can really bring out the best in mine and Sasha’s artistry. I hope to do more collaboration.

Sasha: I plan to begin work on a musical project telling the stories of my family and their friends as they immigrated to this country. 

Kelly English releases new single, “Free”

Friday, July 17th, 2020

“Free” on Spotify now

Kelly English’s tranquil and moving new single, “Free,” is available on all major music platforms today, July 17. The song is featured on the musician’s forthcoming sophomore album, “Savannah Theory,” a melancholy, indie-folk record produced and mixed by Gar Ragland. 

 “The idea of being ‘free’ from a specific person, or place, fits within my vision for the album because it supports the concept of creating a positive state of mind for yourself,” says English. “I wanted the song to be an electric guitar-driven ballad, again taking a lot of inspiration from artists like boygenius and Julien Baker.”

The stirring tune draws emotion from English’s crystal clear vocals, as well as her poignant lyricism. In one verse, the artist writes, “The cross ‘round your neck must be on fire // The muscles you move must get tired // from faking it so hard (yeah) // and taking it so far (yeah).” Watch the video for the full lyrics. 

Join Kelly live on Instagram (@KellyEnglishMusic) as she performs this new release, along with a couple of other tunes, Friday July 17th. Watch the lyric video for the single here. 

 

Follow Kelly for more updates:

 

Instagram: @kellyenglishmusic

Website: kellyenglishmusic.com

Youtube: youtube.com/alltimekellyy

Mel Bryant to release new single, “I Love You I’m Sorry” Feb 14

Tuesday, February 11th, 2020

Mel Bryant, grand prize winner of the 2018 NewSong competition, will release a new single on Feb. 14, 2020.

 
Mel Bryant is celebrating Valentine’s Day with a new single release. “I Love You I’m Sorry” is the latest from the 2018 NewSong Grand Prize Winner and her band, Mel Bryant and the Mercy Makers. 
 
Recorded in the Mercy Makers’ home in East Nashville, “I Love You I’m Sorry” combines the best of Bryant’s powerhouse vocals and confessional songwriting sensibilities. The emo-tinged anthem will appear on the band’s forthcoming record as the title track. The album is slated for release in June, with two additional singles out in March and April.
 
 

 
“I wrote ‘I Love You I’m Sorry’ in a time when I didn’t know how to explain myself in my relationships, particularly when I was feeling like I wasn’t being heard or understood,” says Bryant. “It’s become increasingly clear to me that I — and many women I know and love — automatically default to saying ’sorry’ and taking blame whenever there is conflict. We internalize and apologize and hope that the problem’s solved. But that’s not fair and it’s not how you live truthfully and happily. … Ultimately, this song was a self help practice in understanding myself and why I act the way that I do … and I hope that it helps other women do the same.”
 
“I Love You I’m Sorry” is the sophomore release from this up-and-coming group and the long-awaited follow up to their debut single, “In My Head,” which premiered on Nashville’s top indie music station, Lightning 100, and helped the artist win the 2018 NewSong International Songwriting Competition.
 

The band will premier “I Love You I’m Sorry” live on Today In Nashville, News channel 4, on February 13, and celebrate with a show at The Basement that night.

 
Mel Bryant & the Mercy Makers, an indie rock outfit from East Nashville, TN comprised of lovers and friends, making music for their lovers and friends. Listen to Mel Bryant and the Mercy Makers on Spotify, and follow the band on Facebook and Instagram

Mel Bryant records new EP with NewSong Recordings

Saturday, January 18th, 2020

Mel Bryant records new EP at Echo Mountain Recording Studios.

 

The NewSong team was thrilled to welcome 2018 NewSong Grand Prize Winner, Mel Bryant, to Echo Mountain Recording Studios last month. The songwriter and her Nashville-based band, Mel Bryant and the Mercy Makers, were joined by producer and NewSong founder, Gar Ragland. Melding classic rock and contemporary indie influences, Bryant has compiled a group of songs that tackle big themes, ranging from love and relationships to social justice. 

The opportunity to record at Echo Mountain is part of the musician’s grand prize package, and the EP will be released on NewSong Recordings in 2020. 

Mel took a break from recording to answer a few questions about the upcoming record. 

How would you describe your vision for this new batch of songs?

Mel Bryant: A lot of the songs are justice focused, in a way. There is kind of a dichotomy between the songs that are about, you know, relationship stuff — the really relatable, personal things that everyone goes through … and the songs that zoom out a bit and look at more grand issues that are less personal and more political.

I like to think of things that are political, not in terms of candidates or government issues, but, instead, political as in a woman’s inability to walk alone on a street alone past midnight. That’s a political issue to me, and that is the kind of thing I like to write about. Or the fact that when I was in college, I was scared of being shot on my campus. That’s a political issue, and it’s something that we all have a stake in and we are all worried about and we all want to fix. Those are the things that are important to my music: things that matter. Sometimes things that matter are life and death situations, and sometimes things that matter are when I can’t communicate properly in my relationships. Making those statements in these songs was really important to me. 

 

What has it been like to record at Echo Mountain Recordings Studios?

This has definitely been our best treatment of a recording setup that we have ever had. The crew is so accommodating and patient. The energy in here is amazing. There is such a beautiful ambiance, and the availability of the gear they have here is like nothing we have been able to access before, so from that standpoint it’s been incredible. But also just the feeling of being in that cathedral with stained glass light coming through. And, of course, it sounds amazing. 

 

In terms of sound, how do these new recordings relate to the band’s past work? 

From a sound perspective, the EP is a marriage of the different sides that this band has been developing over the past few years. We definitely have one foot in really classic rock roots, blues, and delta music roots, coming from our guitarist, and then we have the more modern roots of my childhood musical influences and now. We are continually inspired by music being put out and indie rock influences. So certain songs are more in the classic rock tradition, and certain songs are in the modern. Our goal has been marrying those ideas within each song, and within the whole EP, showing that these two things can coexist to create something that isn’t derivative of classic rock or just another indie rock band. We are paying homage to the historic greats and constantly taking in new musical influences and applying that as well. 

For more about Mel Bryant and the Mercy Makers, visit the band’s website. Stay tuned for updates about the new EP release via NewSong Recordings in 2020!

Meet NewSong finalist Aaron John

Wednesday, November 20th, 2019

NewSong is proud to introduce 2019 finalist Aaron John! The Nashville-based singer-songwriter will join his fellow finalists onstage at Isis Music Hall on Saturday Nov. 23 for the 18th annual NewSong Final Competition. 

We asked Aaron about his musical inspiration, songwriting process and what music news he has coming up in the Q&A below. 

Connect with Aaron on his bandcampFacebook page, and Instagram. For more information on attending this event, please visit our Facebook event page. Purchase tickets to the NewSong finals at Isis Music Hall on Nov. 23 here

What are your most significant musical/artistic inspirations?

The Hotelier, Pinegrove, Blake Mills, Big Thief, Neil Young, and Sun Kil Moon.
 

What is your songwriting process like?

For me, it’s pretty essential that the melody and rhythm guitar part materialize together. Just about everything I write starts off with a tidbit of a melody/guitar part that gets stuck in my head, followed respectively by a guitar part/melody that flows into place most naturally. After the initial idea is established, I turn off the objective and analytical side of my brain and let lyrics out until I find a phonetic current that folds into the guitar and melody. From there, I ride that current out until more direction has been uncovered and change most all of the words (because everything i’ve let out up to this point in the process is likely grammatical gibberish). And then on it’s just a slog of a pursuit for maintaining purpose and cohesion.

 

What was your reaction to being named a NewSong finalist?

Excitement, easily! I was lucky enough to play backup guitar in last year’s New Song finals for the eventual winner, Mel Bryant, so I was able to see firsthand how wonderfully supportive, talented, and encouraging the entire New Song community is. Because of how rare it is to find a contest environment like that, choosing to apply for myself the following year was an easy decision.
 

What music news would you like to share with readers?

I have my debut EP “Coming Clean” releasing in early 2020!
 
 
For more information on attending the NewSong Competition event, please visit our Facebook event page. Buy tickets here

MEL BRYANT PERFORMS AS PART OF ‘COME TOGETHER’ SERIES IN NYC MAY 29

Monday, May 27th, 2019

There aren’t many albums that are more iconic or influential than the Beatles’ Abbey Road. Arts Brookfield and NewSong Music have come together to present the New York City spring outdoor concert series ‘Come Together: New original music inspired by the 50th anniversary of the Beatles’ last studio album. This Wednesday, May 29, we are excited to welcome 2018 NewSong Grand Prize Winner, Mel Bryant and the Mercy Makers, to perform. 

The ‘Come Together’ series features five free outdoor lunchtime concerts taking place every Wednesday in May. Each concert begins at 12:30 PM at the Grace Plaza, located at 1114 6th Avenue, just north of Bryant Park in Midtown Manhattan. 

We took some time to talk to 2007 NewSong Music Competition finalist and ‘Come Together’ performer Mel Bryant to learn more about her songwriting, and how she has been influenced by the the well-loved album. 

HOW HAS ABBEY ROAD INFLUENCED YOU AS A MUSICIAN?

 
Abbey Road is one of those bodies of work that not only presents the listener with a bunch of amazing and timeless songs, but is a complete experience that takes the listener on a cohesive journey through sound. It has an arc, a storyline, and a groundbreaking style that sounds like nothing else that came before, but at the same time, it is self aware of the influences it draws from classic blues and soul music. In that way, the Beatles have consistently inspired me to ask myself: Is the music i’m making different from what came before? Am I aware of my influences and respectful of them? 
 

WHAT IS YOUR FAVORITE ABBEY ROAD SONG? 

 
My favorite song on Abbey Road changes a lot, but right now it’s “She Came in Through the Bathroom Window.”
 

WHAT LIFE AND MUSIC NEWS WOULD YOU LIKE TO SHARE? 

 
The band and I are playing at The Bitter End in the village on Saturday June 1st at 9 pm, and we are gearing up to release our second single, “Never Thought,” in mid June. 
 

WHAT ARE YOU MOST LOOKING FORWARD TO ABOUT THE UPCOMING SHOW IN NYC? 

 
We are so looking forward to playing in a beautiful outdoor space, for a completely different crowd than who we normally play for. I’m from New York so it will be good to feel back at home, but every time I come back it also feels exciting and different from the last time i was there. 

 

To learn more about Mel Bryant and the Mercy Makers, visit the band’s website

To Join our ‘Come Together’ Facebook event, click here