Posts Tagged ‘NewSong Music Performance & Songwriting Competition’

MEET NEWSONG MUSIC FINALIST MAISCÉU

Tuesday, October 17th, 2023
MaisCéu is the brainchild of Jimmie Griffith, a musician who hails from the mountains of Minas Gerais, Brazil. His music is a fusion of American and Brazilian musical traditions, reflecting his upbringing steeped in both cultures.

Inspired by the Blue Ridge mountains and the “Mares e Morros” of Minas Gerais, MaisCeu’s unique sound, featuring heartfelt Portuguese lyrics, is a reflection of his deep love for the outdoors and his passion for bending music genres. With an authentic and soulful approach to his craft, MaisCeu’s music speaks to the heart and soul of his listeners, drawing inspiration from the natural beauty of his childhood home and the rich musical traditions that have shaped him.

MaisCéu is a finalist in the 2023 NewSong Music Performance & Songwriting Competition, which will take place on Saturday, November 18, at Citizen Vinyl in downtown Asheville, N.C. Learn more and purchase tickets HERE.

NewSong Music: What sort of music was playing in your house when you were growing up? 

Jimmie: There was a pretty wide mix, from jazz to Brazilian music. I distinctly remember a lot of Dave Brubeck, Baden Powell, and James Brown. 
 
What was your journey to music? 
 
Mostly self-taught. Although my family is very musical, they do not have a formal musical background. Growing up, my mom and siblings liked to sing, and my dad, who now studies piano, used to play guitar and got me started on the guitar with a few chords when I was younger. In my teens, my neighbor and great friend Daniel started playing guitar, and we would teach each other songs and share music. This is when I started developing my musical tastes, branching out to other artists, styles, and developing songwriting. Music continues to play an important role in my life, whether it’s to regulate my emotions, inspire me, or connect with others. 
 
What is the first song you wrote that you were proud of, and why? 
 
Although not my first song, the song “Madrid” I composed helped me realize that I need to trust my musical instincts more often. This song helped me understand that if I try to control the songwriting process too much, I will feel stifled and frustrated. This could cause me either giving up on an idea that could turn out to be a great song or block out new ideas due to the creative constraints we can put on ourselves.  
 
What is your writing process like? 
 
There are a few different ways that I compose music. The most common process is to find a great-sounding chord, chord progression, and/or open tuning on the guitar that sparks an excerpt of a melody. I pull that thread to see where it leads me, revealing a melody, harmony, and rhythm. The final part of the process is to create lyrics that fit the mood of the song and match the melody. Too many times I’ll give the song a title before I write the lyrics, making it challenging to write something related to the title. Composing usually happens at night, in a quiet corner of the house, with a recording device close by to capture my ideas. 
 
Share a musical adventure from this summer with us.
 

This summer, my former band Banana da Terra had a couple of reunion shows at festivals Boone in Blossom and Boonerang. It was such a great experience to reconnect with fellow bandmates and with old and new friends and fans of the band.

Meet the 2022 finalists: Cozi Anda Flounder

Monday, October 31st, 2022

Cozi Anda Flounder is a self-described cosmic country / Americana-ish outfit. The father (Ezra) and daughter (Cozi) songwriting duo surround themselves with a group of lifelong music friends.

NewSong Music: What sort of music was playing in your house when you were growing up?

Cozi: Joan Baez, Bob Dylan, The Beatles, Gordon Lightfoot, Lenard Cohen, Norah Jones etc. A lot of ’60s -’70s folk/Americana 

Ezra: Basically the same artists. That was my parent’s music that became my music, then Cozi’s … minus Norah 

What inspired you to become a songwriter?

Cozi: I had grown up watching my dad write songs. I would often wake up to him excited to show me and my mom a new song he had written that morning. I didn’t put much thought into becoming a songwriter it just came naturally. 

Ezra: The same, my Mom and Dad (Cozi’s grandparents) are also songwriters, so I grew up listening to them behind the walls as I went to sleep. They wrestled with songs late into the night. And when I woke up, they would play them all morning. The process was mesmerizing; like some kind of magic. I wanted to be that kind of magician. two musicians playing guitars in a pink room with purple lights.What is the first song you wrote that you were really proud of?

Cozi: I wrote my first real song when I was 11 years old on the ukulele. I was going through some troubles so I decided to play around on my ukulele, and the melody and words just came. My dad helped me finish it. I was so proud and wanted to show everyone. 

Ezra: I was grim in early songwriting. I pretty much hated all my songs until I got much older and kinder to myself. They never turned out the way I imagined they could. So, my first song I was proud of was much later in life. The first one that I remember thinking, “You finally wrote a real damn song,” was in my late 30s. It was called “Song Before I Go,” and oddly, I never officially released it. I’m just happy it exists. It’s somewhere on YouTube. 

If you could partner with another living songwriter to co-write a song, who would it be?

Cozi: Most definitely Bob Dylan! He is the greatest songwriter that has ever walked the earth in my opinion. He is one of my biggest musical idols next to Dad.

Ezra: This is a total cop out, but true. At this time, I wouldn’t want to write with anyone but Cozi. We now have a mountain of songs we’re trying to finish and I’m starting to sound like a Dad, I guess.

What attracted you to submit your song(s) to the NewSong Competition?

Ezra: I don’t submit to many contests, but NewSong music seemed like something very different than the ones we have been part of. It felt, from what I have seen over the years in newsletters, that it could be a more intimate musical experience that we would remember for years to come.

Do you have any recent or forthcoming projects to tell us about?

Ezra: We do. We have a new EP that is almost complete with the same producer, Aaron Thomas. The debut EP, The Place, was recorded almost live in a few weekends, whereas on this new recording, we got to sit in our studio and play with the ideas, so it’s a little bit of an experiment for us. An exploration.

Q+A with Early Bird Finalist The Singer and The Songwriter

Wednesday, August 24th, 2022

California-based duo The Singer and The Songwriter, aka Rachel Garcia and Thu Tran, were recently chosen as the first finalist in this year’s NewSong Performance and Songwriting Competition!



The identities of Rachel Garcia and Thu Tran — a queer mixed-race-Mexican-American and first-generation-Vietnamese-American, respectively — inform their music. Together they create eclectic and heartfelt songs that tell emotionally honest and compelling stories. Their unique and vibrant style is sophisticated but playful.

The California-based duo met and began writing and performing music together in 2006. Together Rachel and Thu won the West Coast Songwriters International Song Contest, were nominated for Best Adult Contemporary Song at the 16th Annual Independent Music Awards and, this year, were named as a finalist in the prestigious Grassy Hill New Folk Song Competition for Emerging Folk Artists at the Kerrville Folk Festival.

We caught up with Rachel and Thu to learn a little bit more about their original music project.

NewSong: You’ve been having an amazing year, with being named a finalist in the prestigious Grassy Hill New Folk Song Competition for Emerging Folk Artists at the Kerrville Folk Festival and then being chosen as the NewSong Music Performance and Songwriting Competition Early Bird Finalist. Why do you think the stars are aligning right now?

RACHEL: Thank you! We feel that alignment too and I think it’s because we’re feeling in musical integrity. With this latest set of music we have finally caught up to the musicians we have always hoped we would be. We have been in constant pursuit of the best version of our musical selves. This looks like constantly honing our skills as songwriters and working our respective crafts; me with singing, Thu with guitar. We’re clear on our perspective as folk musicians and deliberate in the stories we want to tell. When we tell an honest story and give that story a simple, clear musical home, folks connect with it. Early on we often unintentionally hid our lyrics behind more flashy production, but as we’ve become more precise lyricists we’re able to put forward work that is unencumbered. The music that’s gaining some notoriety from Kerrville and now NewSong are all story songs that don’t have any obligations but to directly and honestly tell a story. 

You have been creative partners for 16 years. What has been key to establishing and nurturing trust and communication in that relationship? 

RACHEL: Has it really been 16 years?! This has been sweet to reflect on. Our trust and communication is something we’ve intentionally worked on over our long collaboration together and it hasn’t always come easily to us. We know that it’s in the music’s best interest if the stewards of that music are in sync with themselves and each other. We know that if we are in rupture, the music will suffer (say bickering for two hours and then trying to play a show together…) Over the years, we’ve become better attuned to one another’s needs even (and especially) when they’re different than our own. For instance, I know that Thu prefers to rehearse a ton before shows, whereas I prefer to rest my voice. I get really nervous before a show so I need a lot of ritual and warm-up, and Thu doesn’t really need that. So over time, we have found ways to communicate our needs and make enough space for each of us to be operating at our best. So now, for instance, we rehearse early and often (not right before a show), and we have some warm-up rituals that we do together that ground us. For us, this kind of compromise is a reflection of our individual commitment to the band and to the music. The more I acknowledge and embrace the needs of my bandmate, the more it feels like I’m leaning in towards the music. And I trust that Thu is leaning in equal and opposite measure which creates an equilibrium that, I think, has kept our band sustainable for all these years. 

During the pandemic you developed a system to bring music to people as they quarantined. Is there anything you gained from that experience that you plan to continue in your post-pandemic performance?

THU: There’s this thing that we heard Susan Gibson say that really stuck with us which is, “Your music is a service, not a product.” That ended up being such a perfect articulation of what we learned from doing The Songmobile. When the pandemic first hit, and we were feeling so powerless, it was Rachel’s idea to just put a battery-powered speaker in the car and drive around the Bay Area, playing private concerts to individual families from their houses’ driveways. It was such a straight-forward solution and I think the reason it worked is because it really got to the heart of music: it’s the connection between the music and the listener. It was an important reminder that when we perform, we get to be of service to the audience. I love being able to focus on that idea when we perform because it helps me take my ego out of the equation, and allows me to just connect to the music and the listener.

You recently shared a bill with another duo from the NewSong Music family — Ordinary Elephant. What does it mean to you to be part of a community of songwriters and performers such as NewSong?

THU: It means the world to us to be part of this community! When we look at the list of past NewSong finalists, they are songwriters that we genuinely admire and we have discovered some personal favorite artists by keeping up with NewSong each year! It’s an amazing feeling to be considered peers with artists you’ve loved for years.

Any updates on the planned release of your new album, Dreams! The Dead! Ghost! Future?

THU: We are in the process of approving the masters right now! It’s been a long journey for this album since it got stalled by the pandemic, but we are so excited for how it’s turned out. All the songs that we submitted to NewSong will be on this new album so we’re hoping that our participation in NewSong will get more folks excited about the record! As of now, we’re planning on releasing it sometime in 2023. More soon, we promise!

Submissions are still open, through Sept. 18, for the 2022 NewSong Music Performance and Songwriting Competition. Enter your original songs here.

Early Bird entries to NewSong Competition end July 24

Saturday, July 23rd, 2022

The ‘Early Bird’ discounted entry fee to enter this year’s NewSong Music Performance and Songwriting Competition ends at 11:59 PM EDT this Sunday, July 24. Prices are currently 1 song: $40; 2 songs: $70; additional songs: $25 each.

The final deadline to enter the competition is Sunday, Sept. 18, but submission fees increase after July 24.

From the early entries, we will select one ‘Early Bird’ finalist, who will advance to this year’s live performance showcase and competition finals, which will take place on Saturday, December 3, 2022 at Citizen Vinyl in downtown Asheville.

All entrants will remain in the running for the remaining finalist spots, which will be announced later in the year. To enter, you need an MP3 of each of your songs you’d like to submit, and a non-mobile device to upload your work. Production quality of the recording is not a determining factor for consideration in the contest so don’t be shy to go full DIY.

There is no limit to how many songs you may submit, so enter often and early to become a finalist and win the 2021 Grand Prize!

More about the competition: NewSong Music’s curated showcases have been a fixture in the national music scene since 2001. The competition finals, formerly staged in New York City at Lincoln Center for the Performing Arts, relocated to Asheville, N.C. in 2017.

Eight finalists, selected from online submissions from across North America and beyond, will bring their musical magic to Asheville where they will perform, compete, and connect with one another. A panel of music industry judges will select one grand prize winner to receive a fully funded six-song EP, recorded and mixed at Citizen Studios, plus 300 vinyl records pressed at Citizen Vinyl, and a featured, paid performance at Arts Brookfield’s Summer Concert Series in New York City in the summer of 2023.

Past NewSong winners and standouts include Ingrid Michaelson, Meghan Trainor, Max Hatt/Edda Glass, Grace Potter, and Crys Matthews.

 

 

SUBMISSIONS ARE OPEN FOR THE 2022 NEWSONG MUSIC PERFORMANCE & SONGWRITING COMPETITION

Thursday, June 16th, 2022

NewSong Music is now accepting original song entries for its 21st annual performance and songwriting competition, presented by Citizen Vinyl. The program’s curated showcases have been a fixture in the national music scene since 2001. The competition finals, formerly staged in New York City at Lincoln Center for the Performing Arts, relocated to Asheville, N.C. in 2017.

2018 NewSong grand prize winner Mel Bryant recording at Echo Mountain Studios

Eight finalists, selected from advance online submissions from across North America and beyond, will bring their musical magic to Asheville where they will perform, compete, and connect with one another. A panel of music industry judges will select one grand prize winner to  receive a fully funded six-song EP, recorded and mixed at Citizen Studios, plus 300 vinyl records pressed at Citizen Vinyl, and a featured, paid performance at Arts Brookfield’s Summer Concert Series in New York City in the summer of 2023.

Past NewSong winners and standouts include Ingrid Michaelson, Meghan Trainor, Max Hatt/Edda Glass, Grace Potter, and Crys Matthews.

Discounted ‘Early Bird’ entries are now open (1 song: $40; 2 songs: $70; additional songs: $25 each). Entry prices increase after Sunday, July 24, with the final deadline for submissions on Sunday, September 18, 2022. To submit your original music, visit newsong-music.com/contest. Finalists will be notified via email and announced through NewSong Music’s website and social media channels on Monday, October 18, 2022.

Mark your calendar for the 2022 NewSong Music Performance & Songwriting Competition finale, which will take place on Saturday, December 2, 2022 at Citizen Vinyl in downtown Asheville.

NewSong Music is an independent music organization that aims to build a supportive community of performers and songwriters across various genres of music and skill levels, while identifying truly exceptional artists and introducing their music to a broader international audience.

Citizen Vinyl was established by NewSong Music director and co-founder Gar Ragland. It opened October 2020 as Asheville’s first vinyl manufacturing facility. Citizen Vinyl boasts a variety of amenities including a full-scale recording studio, a vinyl-themed craft cocktail and coffee lounge, a record and art store, and more.

For up-to-date information on the 2022 NewSong Music Performance & Songwriting Competition, visit newsong-music.com. To learn more about Citizen Vinyl, visit citizenvinyl.com

 

Jenny Fares: LEAF Singer-Songwriter Competition Judge

Sunday, May 8th, 2022

NewSong Music is readying for this year’s LEAF Singer-Songwriter Competition and Showcase.

The event is a collaborative effort between NewSong Music and LEAF Community Arts. It aims to identify and recognize exceptional performers and songwriters from across the country. The finalists are invited to network and compete at the Spring LEAF Retreat, on Saturday, May 14.

Judges for the event include artists and music industry professionals in Asheville, N.C.

A creative force to be reckoned with, Jenny Fares has been an active player in Asheville’s artistic community for nearly thirteen years. Jenny is a mover, shaker, and all around crowd rouser. Her collaborations are a walloping cacophony of sound and fury, art and fun. She thrives in creative, energetic circles – and it shows. She was featured on the cover of Asheville Citizen-Times for creating a “legacy of innovative music programming” for the city. She founded and ran Music Video Asheville for 5 years and the Brown Bag Songwriting Competition. As the former lead singer of Asheville folk favorite, Jen and the Juice, she headlined area festivals including LAAFF and Downtown After Five, and the band’s record Meet the Hooligans of Bohemia was named among the top 10 regional albums of 2006 by 88.7 WNCW.

 

Q+A with LEAF Singer-Songwriter Competition Finalist Our Band

Monday, April 25th, 2022

Our Band will win your heart. Steeped in the tradition of great male and female duets such as Johnny Cash and June Carter, Sasha Papernik and Justin Poindexter bring their award-winning songwriting, intimate harmonies, and Eastern-European flair to a rich Americana soundscape. Together, they have performed for audiences in some of the world’s greatest venues, from Carnegie Hall to Lincoln Center to the Smithsonian Museum of American Art. In 2018-19 they toured Poland, Germany and Estonia as ambassadors of American music for U.S. State Department. Their debut album, featuring American music legend David Amram, was released to critical acclaim in 2021.   

NewSong Music: What was your introduction to music?

Justin: My dad is a country singer and guitar player, and he played at a lot of NASCAR events when I was growing up. Though we certainly have different styles, the apple didn’t fall too far from the tree.

Sasha: I started playing classical piano when I was four and went through conservatory studying classical piano performance. 

What is the first song you wrote that you were proud of, and why?

Justin: I wrote a song for Alison Krauss once. She never sang it, and probably never even heard it, but I remember when I finished it, I knew that she would sound great singing it, and just having that feeling was new and amazing.

Sasha: I wrote a raw burner of a breakup song and it was SO MUCH FUN. I played it at a show at The Bitter End in New York City and although I’d performed for audiences since I was a little kid I’d never been so nervous in my life. Not interpreting someone else’s music like I’d always done but putting it all out there: my words, my music, my story, and connecting to people like that was electrifying. 

What instrument do you play, and why?

Justin: I play guitar, and it allows me to play in so many genres that I love, as well as giving me an excuse to keep lots of fun and sexy guitars around.

Sasha: I play the piano because I fell in love with everything about it when I was four. I also play the accordion because it channels my Eastern European heritage. 

How did the pandemic impact you as an artist (for better or worse)?

Justin: Being home consistently after several harried years of running around connected our family in deep and lasting ways. I’m proud of the team we have become.

Sasha: The pandemic highlighted for me how fleeting our time really is. I decided to focus on my young family, being an active member of my community, and the music that I truly wanted to play, compose, learn and teach. The pandemic didn’t give me more time – we were juggling a baby and a 4-year old with no childcare, but the time I did have was 100% spent on what I wanted to do. 

Does the place where you grew up inspire you as an artist? If so, in what way?

Justin: I grew up in North Carolina, and the people I grew up around are amazing, inspiring and hilarious characters. They are a wellspring of songwriting fodder.

Sasha: My parents are from Russia. Their story of immigration and my identity as a first generation American is a constant source of inspiration to me as an artist. 

In what ways does the craft of songwriting still surprise you?

Justin: It’s all architecture, but without some kind of sincere emotion, the house doesn’t stand. 

Sasha: I’m always still surprised when a great song seems to just make itself known – like it’s always been there – complete. 

What are some of your creative goals for this year?

Justin: Our recent collaboration with the wonderful lap steel player, Cindy Cashdollar, was incredibly fruitful. Sometimes I think having another collaborator can really bring out the best in mine and Sasha’s artistry. I hope to do more collaboration.

Sasha: I plan to begin work on a musical project telling the stories of my family and their friends as they immigrated to this country. 

NewSong Music announces finalists for 8th annual LEAF Festival singer-songwriter competition & showcase

Saturday, April 16th, 2022

NewSong Music announces the eight finalists who will perform at this year’s LEAF Festival singer-songwriter competition and showcase.

The event is a collaborative effort between NewSong Music and LEAF Community Arts. It aims to identify and recognize exceptional performers and songwriters from across the country. The finalists are invited to network and compete at the Spring LEAF Retreat, on Saturday, May 14.

This year’s finalists for the LEAF competition are: Grace Morrison, a country-pop artist based in Massachusetts; American Idol alum Stephen Sylvester, who calls the Gulf Coast home; Louisiana native Rachard Dennis, a poet-teacher-rapper; indie-folk artist Kristian Phillip Valentino, from North Carolina; Tennessee-based indie-rocker Kelly Hoppenjans; Sadie Gustafson-Zook, also based in Tennessee, a versatile singer and intricate guitarist; roots musician Philip Bowen from West Virginia; and Justin Poindexter + Sasha Papernik from New York who make up the award-winning Americana duo Our Band.

 

 

The winner of the LEAF Singer-Songwriter Competition, selected from a panel of music industry judges, will earn a spot as one of only eight finalists at the annual International NewSong Competition, held in Asheville in the fall. The winner will also return to the Fall LEAF Festival, held October 20-23, 2022, as a featured, paid performer.

The LEAF Singer-Songwriter Competition is always a memorable experience where songs are shared, friendships are forged, and great music finds a welcome and supportive audience. It’s worth noting that the event is not intended to be a cut-throat music competition. Instead, NewSong is committed to building and supporting a community and network of outstanding artists.

About NewSong Music

Now in its 21st year, NewSong Music is an independent artist development organization and independent record label. Its mission is to identify and celebrate truly exceptional artists, and to build and support a community of performers and songwriters across all genres of music.

About LEAF Community Arts

LEAF Community Arts is a 501 (c) 3 non-profit organization with a mission to connect cultures and create community through music and arts. LEAF is comprised of two key cultural arts education programs, LEAF Schools & Streets and LEAF International, as well as two signature events, LEAF Festival and LEAF Downtown.  Attendance at LEAF Festival provides a family-friendly weekend experience infused with music and arts while supporting the long-term vision of the organization. Since 1995, LEAF has served over 200,000+ youth with programs in over 15 community locations and in 10 countries worldwide. Learn more at www.theLEAF.org.

#WeAreNewSong :: Andrea Lopez

Friday, July 20th, 2018

Miami, Florida’s Andrea Lopez, performing as a finalist last November in the 16th annual NewSong Music Competition finals at New York City’s Lincoln Center for the Performing Arts.

Every year, NewSong receives countless song submissions from talented artists across North American and beyond. Only a handful are chosen each year as finalists. And while not all of these finalists take home the grand prize, all of them leave a lasting impression on the NewSong team. Supporting and fostering new and as-yet-undiscovered musicians is what NewSong is all about, which is why we aim to celebrate past finalists and winners in our new video series, #WeAreNewSong. 

Watch our interview with Andrea Lopez, a 2017 NewSong Songwriting Competition finalist, to learn more about what drives her songwriting and her experience with NewSong. 

Watch #WEARENEWSONG video

Andrea Lopez is our first artist featured in the series, and she is no doubt an artist to watch. This 24-year-old, bilingual songwriter from Miami self-released her last album “Echoes” in April 2017. The EP consisted of five original songs, which ranked highly on the iTunes Charts (#1 Top EPS & Singles, #5 Top Latin Albums, #8 Top Singer/Songwriter Albums) and earned her placements on numerous Spotify playlists. Additionally, her song “Por Ti” was awarded as a finalist in the Latin category of the John Lennon Songwriting Competition.

WATCH FULL PERFORMANCE OF ‘ECHOES’ LIVE FROM NEWSONG COMPETITION FINALS 

We hope you follow Andrea’s career, as we will, and check out her work on Spotify and iTunes

To stay up-to-date with Andrea’s news and schedule, visit her website

 

2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

Monday, January 16th, 2017

SideBySide-WilderAdkins-NewSongMusic.jpg

2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

“This is a song about the city of Birmingham, Alabama and the struggles of the civil rights movement in the 1960s,” says Adkins, a Birmingham resident himself. “It is also an anthem for peace and a call to keep hoping and never give up fighting darkness with the power of light.”


ABOUT WILDER ADKINS
Wilder Adkins15698210_881465828570_6907624843770016758_n songwriting gleans as much from the earthy poetry of Wendell Berry and Mary Oliver as it does from the works of folk luminaries Richard Thompson and Bruce Cockburn. His courtly-but-witty lyrics evoke a Deep South Shelley or Yeats, riding a joyful guitar dexterity.

Adkins hails from Marietta, GA, but now lives and writes in Birmingham, AL. He grew up listening to his dad play renditions of Neil Young and Van Morrison songs on an old Guild Jumbo Acoustic. Adkins’ songs, steeped in natural imagery, frequently touch upon the subjects of faith, doubt, and as the title of his new album would indicate, hope and sorrow.

Adkins is the grand prize winner of the 2016 international NewSong Music Performance & Songwriting Competition.


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