Posts Tagged ‘NewSong Music performance and songwriting competition’

Meet NewSong Music finalist Senobia

Saturday, October 7th, 2023
Senobia is a versatile singer who pours out her soul fused with R&B, jazz, blues, and commercial pop undertones. She is a vocalist, composer, and veteran of the stage having performed with America’s finest as a U.S. Army band singer. She is a born and bred musician from Columbus, Ohio, where her first introductions to music were gospel, doo-wop, pop, and rhythm & blues before she found jazz.
 
Senobia has performed in jazz clubs on the Caribbean Sea, Opera houses along the Amalfi Coast of Italy, and wineries from Carlsbad, Calif., to Washington, D.C. Her world, life, and musical influences have transformed her music into the exotic culture she has experienced as an internationally traveled singer. Senobia is often referred to as a “sireness” as her voice is so enchanting and dynamic that she will leave listeners swooning for more.
 

Senobia is a finalist in the 2023 NewSong Music Performance & Songwriting Competition, which will take place on Saturday, November 18, at Citizen Vinyl in downtown Asheville, N.C. Learn more and purchase tickets HERE.

NewSong Music: What sort of music was playing in your house when you were growing up?
 
Senobia: Growing up, we would sing harmonies with our grandma to songs such as like The Jackson 5’s “Rockin Robin.” My grandma loved to sing 1950s doo-wop and barbershop quartet songs and I loved to sing with her. My grandmother’s voice is similar to the famous jazz singer Nancy Wilson. I would also transcribe music from the radio so a lot of the 1990s music from artists like Donny Hathway, Lauren Hill, Kirk Franklin, Whitney Houston, Micheal Jackson, Usher, OutKast, Destiny’s Child, R. Kelly, En Vogue, Mariah Carey, Christina Aguilera, and Eminem. I loved to sing, rap, and just vibe to all the different types of music I heard my family listening to and what I found on the radio.
 
What was your journey to music?
 
My musical journey began in 4th grade, so when I was nine I started on the violin. That first year of reading music really set the tone for my musicianship. That next year, I moved to choir and have been singing ever since. In middle school, I received more musicianship training and singing development through the choir. By the time I got to high school, I was performing competitively as a soloist in the choir and in solo and ensemble competitions. Our high school choir traveled and competed internationally with two of us at the forefront leading the solos. When I went to college, I began my studies on the piano as my secondary instrument and became a classically trained singer. I performed a recital every year at my local church and fundraised to pay for a two-week trip to the Amalfi Coast to perform with a summer Opera program. After graduation, I joined the military and started to perform all different types of genres with the U.S. Army band from rock, country, patriotic, soul, jazz, blues, classical, R&B, and pop music. It was a lot of fun to get to perform your favorite top 40 music and some old-school music sprinkled in. When I got out of the Army I went back to school to get my master’s degree in vocal pedagogy. There, I really learned all the nuances of the voice and how to master the instrument. I started my professional voice teaching business and have been performing and songwriting since completing my master’s. I wish I could say I came from a family of musicians but really, I am the only one — but we have a few singers. 
 
What is the first song you wrote that you were proud of, and why?
 
The first song I wrote that I was really proud of was “Time To Breathe,” the title track from my new EP I released this past March. I had that song in my head for years. “Time To Breathe” is the tail end of a story about a point in my life where I felt low enough to end my life from losing the love I cherished. I was young and didn’t quite know what love was, but I knew that was the person I wanted at that time in my life. Every time I perform and hear this musical composition I am moved because I made it through a dark time. “Time To Breathe” was one of those songs you just know needs to be heard. So I had a strong compulsion to get this song created. I actually tried working with two other producers before I found the one who helped me bring this song to life. Once “Time To Breathe” was created, it did relieve some of the emotional burden I had been feeling all these years. So it is one of my most beloved songs.
 
What is your writing process like?
 
My writing process is a bit unorthodox. I use the universe to help me write my music, which seems weird, but I say that because my songs come to me at random. Sometimes I’m more intentional and just listen to the world around me. But the songs I write almost always start with some sort of melody. I’ll just be living life and realize I’m humming the same melody over and over, so I record a voice memo then come back and start composing the structure on the piano. Sometimes lyrics will come right away, other times I craft a story from my life experiences or from what I feel from the melody and chords. My favorite songs are the ones that I write in my dreams. I’ll just be making music in my dream, wake myself up to record the voice memo, and work on it later. I have much more fantastical ideas and sometimes I can create the full song as I recall it from my dream.
 
Share a musical adventure from this summer with us — an experience that really stood out for you.
 
This summer I really did as much as I could to promote my first album, so just about anywhere I went I was shamelessly promoting and singing. We took my Dad to New Orleans for his birthday. One morning, while walking around, there was a jazz band playing outside at a local cafe. On their break, I went up and asked them if I could perform a few tunes. It doesn’t always happen but they let me join the set. I performed and afterward, I promoted my album. Wherever I go, I always try to find local musicians to share musical stories, but this was a nice surprise. It was my first performance in New Orleans, but not even three months later, I was back there performing at an artist showcase.
 

Meet NewSong finalist Reece Sullivan

Saturday, October 7th, 2023
Originally from Arkansas, singer-songwriter Reece Sullivan now lives in Lafayette, La., and plays the surrounding states regularly. He’s reinvented himself many times: piano to guitar, classical to art rock, art rock to folk, flat picking to fingerpicking, solely songwriting to performing. In 2022, Reece released a full length album, Arkansas, and a single, The Riverband (Dockside). In 2023, he released a full-length acoustic album, Gethsemane, and a live EP, Live in the City of Gold. He’s putting the finishing touches on a new album, False Summits, which will be released early in 2024 and he has a single, Song for Edward de Vere,” planned for November 2023, the 400th anniversary of the first Shakespearean Folio.  
 
Reece is a finalist in the 2023 NewSong Music Performance & Songwriting Competition, which will take place on Saturday, November 18, at Citizen Vinyl in downtown Asheville, N.C. Learn more and purchase tickets HERE.
 

NewSong Music: What sort of music was playing in your house when you were growing up?
 
Reece: Not much! I had a very limited amount of vinyl that I remember playing such as an album by The Beach Boys, Joan Jett’s “I Love Rock N’ Roll,” and a kid’s song album. Other than that, one of my bigger and more fond memories of music was listening to what cassettes my dad played in his truck. I remember listening to the album An Innocent Man by Billy Joel and Tumbleweed Connection by Elton John. I loved those albums and the memories associated with them of riding with my dad singing along.  
  
What was your journey to music?

I was classically trained. I started taking piano lessons when I was six; I still remember getting out of the car that day and the lessons, also. Though I did learn a lot like so, it wasn’t until I got an acoustic guitar at age 15 that I truly started learning music theory and playing by ear, which I had beforehand thought of as extremely mysterious. At age 20, I majored in piano performance, but I quit that after a mere year. My professor and I got along really well and would talk a lot about The Beatles and Beethoven, both of whom I greatly love, and he advised me to simply quit college if I knew I really only wanted to write music. Majoring in piano is a very time-consuming degree. I was practicing at least a couple hours a day for five or six days a week, and I felt even that wasn’t enough. It pained me because I was dedicating all that time to learning someone else’s music, however great it may’ve been, instead of working on my own. Thus, my professor’s suggestion that I quit, which I think of to this day as good advice.  
 
What is the first song you wrote that you were proud of, and why?

I wrote my first song, “All I Wanted,” at my friend Jeff Fox’s house when I was 16. I still think of it a somewhat catchy tune and not all too bad. The lyrics were certainly extremely juvenile, but what can one expect at that age? As far as being satisfied with what I write, it’s a difficult thing. I feel no song is ever really perfect and can almost always be made better. Often it’s hard to figure out how to do that, though! I wrote a lot of stuff in my 20s that certainly showed talent and such, but there was a major shift in my music starting at the end of my 20s. I dedicated myself more fully to lyrics and aspects of the craft that I’d somewhat ignored up until then. When that phase started, I wrote an incredible amount of material; some of the material to arise from the early part of that phase I still enjoy and some of them I still play, but the first song to arrive where I realized I’d improved and that the improvement seemed lasting was a song titled “Suffering & Pain.” That song was released on the album “All For You, Dulcinea.” Though the vocals and production and recording quality on those songs was drastically lacking, I still really like “Suffering & Pain.”
 
What is your writing process like?
 
I believe in writing whether one is “in the mood” or not. So I try to generally treat it like an author would while writing a book. I tend to write predominantly on acoustic guitar, but I’ll sometimes write things on piano. Though there are definitely exceptions, I almost always get the music totally to my liking. This includes verses, choruses, bridges, breaks, and phrasing. After that, I write lyrics.  
 
Share a musical adventure from this summer with us — an experience that really stood out for you.
 
I had a song place in this year’s ACORN Songwriting Competition, so I flew to Chicago to play the event, which is about an hour east, in the bottom part of Michigan, almost, but not quite, on Lake Michigan. Certainly traveling is one of my favorite things to be doing, no matter where I’m headed or why, though traveling for music is the best. I had also never been to Michigan or Wisconsin, so I took the chance to drive up into Wisconsin on a free day, which, combined with seeing Michigan, makes for 45 states I’ve been to. Louisiana was scorching hot, as it always is in the summer, so it bordered on magical being somewhere as cool and breezy as they are. The ACORN Theater did not disappoint. It’s an amazing, magical place that couldn’t look better, aesthetically. I had a great time playing and met a lot of good folks, one of which I may play some shows with in a few months. Meeting people through music is honestly one of the best parts to touring, and for me, I feel closer to people I meet through music than any of circumstance.  

Meet the 2022 Finalists: Justin Cross

Tuesday, November 8th, 2022

Based in Birmingham, Ala., Justin Cross is a singer-songwriter and self-described “noise-maker.” Though his songs are based in American tradition, he hopes they can connect with a global audience.

NewSong Music: What sort of music was playing in your house when you were growing up?

Justin Cross: It was Elvis all day long in my house growing up. My aunt was obsessed with him and had me singing his songs before I was out of diapers. My mom was into country in the ’90s, so a lot of Garth Brooks, Shania Twain, and Vince Gill. I wasn’t a huge fan back then, but I’m not gonna lie and say that I don’t go back to those old greatest hit compilations of theirs regularly. My dad was a ’90s rock fan, so when I was with him we would listen to Collective Soul and Tonic and bands like that.

A man plays guitar and sings into a microphone while another man captures the perforance on a video camera.

What inspired you to become a songwriter?

I’ve always written in some shape or form, but I really started writing lyrics in middle school. A lot of my friends were really into hip-hop, so I would help them with their lyrics and then I would go an watch them have rap battles in the bleachers after school. Then I found my dad’s old guitar and it was singer-songwriter land from then on for me. I still go back to hip-hop and beat-centric music a lot now though, and I’m so grateful for my exposure to that culture. It taught me a lot about how effective rhythm and simplicity can be. 

What is the first song you wrote that you were really proud of?

It was a song I still sing to this day called “Daughter’s Holding Flowers.” I wrote it in high school and it is about the dangers of wasting your life and the little bit of time you have on this earth. I had no clue what I was actually talking about back then, but it’s funny to me how a lot of times I’ll sing a song I wrote over a decade ago and it means more to me now that it ever did back then. 

If you could partner with another living songwriter to co-write a song, who would it be?

Gotta pick two here. Bob Dylan and Tom Waits. They are just untouchable artists and writers. I vividly remember my first time hearing both of these guys and it was transformative. I’d settle for just being in the room while they write. 

A man in a t-shirt and jeans sits in an armchair while playing guitar.

What attracted you to submit your song(s) to the NewSong Competition?

One of my best friends, Wilder Adkins, was the grand prize winner a few years back and I have had the privilege of coming up to Asheville with him a time or two to play at a NewSong event. It always seemed like a such a cool organization with a clear mission to empower and connect artists and I loved that. I’ve entered the contest almost every year since and am so honored to be selected as a finalist this year. 

Besides performing at the NewSong Competition, what else would you like to do or see while in Asheville?

There is this little guitar store on the edge of town that I wandered into accidentally on of the first times I ever came to town. It seemed so nondescript from the outside but then you go in and there are like $4,000 guitars just hanging in the wall. The folks there have always been so nice and it’s always a treat rediscovering that little place. I can’t remember the name of that place for the life of me, but I’ll be there in December. I’ve also always wanted to visit the Moog shop but have never gotten the chance to. 

Do you have any recent or forthcoming projects to tell us about?

I’m currently writing for my next full-length and I think Its going to be a pretty big departure for me. During quarantine I listened to a lot of old soul artists like Sam Cooke, Otis Redding, and Nina Simone. It would instantly lift my mood. They really knew how to take a bad situation and turn it into the most cathartic, even joyful, music. So, I tried my hand at writing songs like that. Then, in the middle of 2020 my wife and I had a miscarriage and we wrote the song that we entered in to the contest, “I Need a Change.” That song and others like it really became lifelines for me over the last few years, so I’m excited to actually share them with folks soon. I’m also “secretly” working on a side project of folk songs that I’m recording on an old Tascam 414 four track, which has just been a fun time. Not sure if I’ll release any of that or not, but you never know

Meet the 2022 finalists: The Singer and the Songwriter

Thursday, November 3rd, 2022

California-based duo The Singer and The Songwriter, aka Rachel Garcia and Thu Tran, met and began writing and performing music together in 2006. Together Rachel and Thu won the West Coast Songwriters International Song Contest, were nominated for Best Adult Contemporary Song at the 16th Annual Independent Music Awards and, this year, were named as a finalist in the prestigious Grassy Hill New Folk Song Competition for Emerging Folk Artists at the Kerrville Folk Festival.

NewSong Music: What sort of music was playing in your house when you were growing up?

The Singer and the Songwriter: For Rachel, it was Frankie Valli and The Four Seasons, Smokey Robinson, and Disney soundtracks. For Thu, when it wasn’t his parents’ Vietnamese music, he was listening to his sisters’ CD collection of ’80s music — which included George Michael, Madonna, ABBA’s Greatest Hits, and Culture Club. 

Two people stand in a river. One wears an orange and white dress. The other is dressed in black and holds a guitar.What inspired you to become a songwriter?

Rachel: I found my way into songwriting through poetry in college. I have kept up a poetry practice ever since. When I hear a really great song that moves me, I have always been interested in how the mechanics of the lyric and melody create that emotional reaction, and that pursuit has inspired me to pursue this craft.

Thu: The first memory I have of “songwriting” was when I was in 2nd grade: the class learned to sing “Down by the Bay” by Raffi. At recess, I remember trying to think of different animals and rhymes for the part that went, “Did you ever see a….?”, usually ones that rhymed with bad words to try and make my friends laugh. Songwriting has always felt like solving little word puzzles to me, and while the intent and type of songs have changed a lot for me over the years, there’s still a part of me as a songwriter that’s still that puzzle-solver. 

What is the first song you wrote that you were really proud of?

This is such an interesting question! For us, it was our song “Drowsy Driver.” The process of writing this song unlocked a new dynamic between us as writers that had not been there before. The germ of the idea started with Rachel while we were on tour. While she was driving, she would collect images and phrases that she kept in a note on her phone. Over the course of a year or two, she just kept adding to this note. Separately, Thu had come up with the guitar line. It took another year before the song came together, but it felt so hard-won when we finally finished it. Sometimes it’s wonderful when a song comes together quickly, but it can be even more rewarding when a song has a long gestation period.

Two people shown from the chest up. Both have dark hair and gray t-shirts.

The Singer and The Songwriter

If you could partner with another living songwriter to co-write a song, who would it be?

Gillian Welch has always been a huge songwriting inspiration for both of us, so that would be an absolute dream of a co-write! 

What attracted you to submit your song(s) to the NewSong Competition?

We’ve been following the NewSong Competition since Max Hatt/Edda Glass won in 2014. We’ve been so inspired by all of the finalists and winners in all the years since and have always thought of this competition as a North Star of sorts for our writing.

Do you have any recent or forthcoming projects to tell us about?

We have an upcoming LP titled Dreams! The Dead! Ghost! Future that we’re hoping to release in 2023! Release date is TBD.

Meet the Early Bird Finalists: Middle Child (Roxbury, MA) and Market Junction (Houston, TX)

Thursday, September 1st, 2016

NewSong Music Early Bird Finalists: Middle Child + Market Junction

Congratulations to this year’s ‘Early Bird’ finalists Middle Child and Market Junction.

We’re excited to announce the two ‘Early Bird’ finalists in this year’s 15th annual NewSong Music Performance & Songwriting Competition, awarded to the bands Middle Child (Roxbury, MA) and Market Junction (Houston, TX). Learn more about each group below!

 


 

Middle Child was conceived by musicians and songwriters Austin Max (Nashville) and Danny Silberstein (Los Angeles), who met at Berklee College of Music in 2013 and were soon joined by fellow musician/songwriter Terrell Hines (Dublin, Georgia).

 


 

Market Junction is an Americana group founded in 2011 by singer-songwriters Matt Parrish and Justin Lofton. 

 

 

They’ll be joining us on Saturday, December 10 to showcase and compete in the live performance finals at New York City’s Lincoln Center for the Performing Arts. 


Rachael Kilgour w/ Blair Bodine at Lincoln Center