Posts Tagged ‘Gar Ragland’

Beth Snapp’s single “Don’t Apologize” available now

Monday, June 25th, 2018

Beth Snapp’s new single “Don’t Apologize” is available June 25 from NewSong Recordings.

Beth Snapp, a sharp-witted and soulful songwriter from Kingsport, TN, is releasing her new EP, Don’t Apologize, on NewSong Recordings August 31. The first single and title track of the EP is out today on Spotify and iTunes. Pre-order the full EP on iTunes, and receive the single as an instant gratification download. Don’t Apologize is a collection of soothing and supple melodies, underscored by a bracing backing band. The songwriting strikes deep, as the musician shares universal messages of love and acceptance from a well of personal experience.

 

Snapp was a semifinalist in the NewSong songwriting competition in 2017. That experience led her to meet NewSong founder Gar Ragland and eventually record her forthcoming EP with NewSong Recordings. The EP was produced and mixed by Ragland, engineered by Grammy winner Julian Dreyer, and recorded at Echo Mountain Recording Studios in Asheville, North Carolina.

“I feel like my career is just beginning,” says Snapp. “I’ve laid some groundwork, but now I’m at a jumping off point, and it’s time to jump.”

We asked Snapp some questions about her forthcoming EP, Don’t Apologize

 

I’d love it if you could speak to the EP name, “Don’t Apologize.” What does it mean to you, and what was the inspiration behind it?

“Don’t Apologize” is the name of the title track; however, it really became the overarching theme of both this project as well as my current place in life. I think thanks to certain millennial stereotypes, there is plenty of coverage regarding the entitled, and yes that is an issue. However, I think far on the other side of that spectrum, is a place we often find ourselves in where we begin apologizing for things we have no business apologizing for. We get insecure, we listen to the voices in our head (or sometimes the voices around us) and suddenly we aren’t just ashamed of our character flaws – we become ashamed of our character. We become ashamed of trying new things, putting ourselves out there, being vulnerable…and that has to stop. SO. Don’t apologize – ever — for loving yourself, loving your neighbors, and trying to pour some of that love into this broken world. 

What was your songwriting process like for the album? 

Relatively quick, actually! All the songs were written at a time when I was sort of on the other side of a storm. I was really starting to enjoy life again, and I was finding new purpose. This new chapter for me was also coinciding with a period of time when our country and its people were stressed, fearful, and at times attacking one another. It’s silly, not only to let fear grip your entire life, but to also risk relationships with one heated moment in time. That time will pass, but the friendship gap might not. So, as I was waking up, I just wanted other people to wake up as well! I wanted to send a message that we are all OK. I think I wanted it so badly the theme for the EP, the content, and the lyrics just poured out. And within no time at all, I was ready to record!

What was your experience recording at Echo Mountain Studios?

Gar’s production was vital to this project – his patience, ease of communication, and direction led the EP down the road it needed to be on.  He understood the message, and how to portray that message in the style and arrangement of the music. Also, being able to record at Echo Mountain Studios was basically a dream come true. The equipment, aesthetics, and staff were incomparable.

Are there any songs in particular you are excited about?

I suppose my favorite song is “the Princess Dream.” It’s a personal story – how I grew into myself, and learned to accept and love myself despite growing pains.  What I love the most is the more we played the song live, the more women who have come to me to tell me it’s their story too. It feels connected, and if the song was as healing for them as it was me, I’ve done something worthwhile.

If there is one thing your fans should know about this album, what is it? 

It’s the message. Don’t Apologize! This is a reminder – be kind to yourself, love yourself, love the folks around you.  If we all spread that love, one soul at a time, think what we could do for this hurting world! We often feel so powerless, but this is a small but important way to gain the power and help our communities.  Whatever that means to you is fine because we all have different ideas of what that means. It doesn’t matter. Just do it. And remember it all starts with accepting and loving yourself as the perfectly imperfect soul that you are. 

Do you feel this work is a departure or continuation of your previous work? How so? 

It’s a departure in that the content is a bit more uplifting than past projects – BUT – it’s a continuation of my personal journey, and therein lies the connection. Life is a little different, my perspective has shifted, I’ve got a few more miles under my belt, and I want to share that.  

Learn more about Beth and stay up to date with her performance schedule at bethsnapp.com.

Blue Yonder Releases Second Full-Length Studio Album Rough And Ready Heart Out June 8 On NewSong Recordings

Thursday, June 7th, 2018
 

Blue Yonder’s ‘Rough and Ready Heart’ is out June 8, 2018.

 
 
“A mix of virtuoso musicianship and original songwriting that plays as well in a hipster coffeehouse as it does in a small town concert hall.” –Larry Groce, Mountain Stage
 
“Blue Yonder is a serious West Virginia treasure.” –Vince Herman, Leftover Salmon
 
“An uncommon combination of toe-tapping, foot-stomping, and cry-in-your-beer fun….”—Live In Charleston WV
 
Charleston, West Virginia-based trio Blue Yonder—John Lilly (vocals/songwriter, rhythm guitar), Robert Shafer (electric guitar), and Will Carter (acoustic bass, harmony vocals)—are set to release their second full-length album, Rough and Ready Heart, on NewSong Recordings June 8. The album was recorded at Echo Mountain Recording Studios in Asheville, NC. It was produced by NewSong founder Gar Ragland .
 
The seasoned trio was joined by guest musicians Russ Hicks (pedal steel guitar) and Tony Creasman (drums/percussion) for the album, which is comprised of 12 original songs. Offering a range of Americana—honky-tonk to swing, rockabilly to bluegrass—the album’s songs range from barn-burning rockers to gentle waltzes to mournful ballads to inspirational anthems.
 

 
 
Featuring three musicians with distinctive and notable skills; award-winning songwriter John Lilly; two-time flat picking champion guitarist Robert Shafer; and bassist Will Carter, who has played with numerous bluegrass and old-time bands and is the founder of the “Clifftop” festival, an annual global summit of old-time musicians in West Virginia.
 
With universal themes about “living, loving, losing along life’s back roads and highways,” says John Lilly, the trio’s vocalist and songwriter. “Our songs tell stories that anyone who’s been in relationships or set out on a road trip can relate to, no matter where they come from.”
 
Best known for their memorable original songs, virtuoso musicianship and feel-good stage presence, every Tuesday evening since 2013, the band has given people in Charleston, WV, a venue for a soul-cleansing way to connect with themselves and each other. “The stories we tell take me out of my specific situation and connect me, through shared experiences and emotions, with everyone in the room,” offers Will Carter.
 
Of Lilly’s many songwriting styles, Robert Shafer, notes “with Blue Yonder I can stretch out more than I can with most bands.” One of few to win the prestigious Winfield Walnut Valley national flat-picking contest more than once, he is also known as a “spectacular rockabilly guitarist who also brings swing and bop influences to his playing” (Washington Post).
 
Bassist Will Carter says that for him “an evening with Blue Yonder is like telling tales around a campfire—the stories we tell take me out of my specific situation and connect me, through shared experiences and emotions, with everyone in the room.”
 
The band’s debut, Bittersweet Road, reached #2 on the Freeform American Roots radio chart in 2013.
 
BLUE YONDER TOUR DATES
July 6 – Isis Restaurant & Music Hall – Asheville, NC
July 13 – Red Wings Roots Festival – Mount Solon, VA
August 8 – Davis Park – Charleston, WV
August 11 – MOUNTAIN STAGE: Myles Center for the Arts – Elkins, WV
August 16 – Queen’s Place Emera Centre – Liverpool, Nova Scotia
 
Rough and Ready Heart Tracklisting:

1. Standing by the Side of the Road
2. Rough and Ready Heart
3. Lost In Yesterday
4. I Dream of Jeanie
5. Lonely Hour
6. Well-Acquainted with the Blues 
7. Memories and Moonlight
8. Emerald Eyes
9. Windswept
10. Tombstone Charlie
11. You Can’t Get There From Here
12. Green Light

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For more information, please contact Lellie Capwell at Lellie@lpc-media.com or 818.384.1180

2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

Monday, January 16th, 2017

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2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

“This is a song about the city of Birmingham, Alabama and the struggles of the civil rights movement in the 1960s,” says Adkins, a Birmingham resident himself. “It is also an anthem for peace and a call to keep hoping and never give up fighting darkness with the power of light.”


ABOUT WILDER ADKINS
Wilder Adkins15698210_881465828570_6907624843770016758_n songwriting gleans as much from the earthy poetry of Wendell Berry and Mary Oliver as it does from the works of folk luminaries Richard Thompson and Bruce Cockburn. His courtly-but-witty lyrics evoke a Deep South Shelley or Yeats, riding a joyful guitar dexterity.

Adkins hails from Marietta, GA, but now lives and writes in Birmingham, AL. He grew up listening to his dad play renditions of Neil Young and Van Morrison songs on an old Guild Jumbo Acoustic. Adkins’ songs, steeped in natural imagery, frequently touch upon the subjects of faith, doubt, and as the title of his new album would indicate, hope and sorrow.

Adkins is the grand prize winner of the 2016 international NewSong Music Performance & Songwriting Competition.


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Introducing The 2016 NewSong Music Finalists!

Tuesday, November 8th, 2016

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Meet The 2016 NewSong Music Finalists

We have spent the last few weeks carefully listening to all of this year’s song submissions, to identify the remaining finalists for the 15th Annual NewSong Music Performance & Songwriting Competition. This year’s program attracted singers and songwriters from all over the world, who represent a broad array of genres and styles. 

We are honored by the opportunity to listen to so much new original music, and we’re once again reminded of and humbled by the breadth and depth of contemporary songcraft. 

And we are proud to announce and recognize these outstanding artists below, who will be joining us as finalists on Saturday, December 10 in New York City at Lincoln Center for the Performing Arts to showcase, network and compete for top honors:

AndreaSilvaMarketJunction

MiddleChild

EarlyBird

TheYoungNovelists

WilderAdkins

TheVaughns

TheSmallGlories

JomoPossumPosse

JShogrenShanghaid

BradCole

AshleyMcMillen

 

Win A Chance To Perform At Sundance Film Festival’s ASCAP Music Cafe in 2017

Monday, October 24th, 2016

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NewSong Music is proud to announce that the grand prize winner of this year’s competition will perform at the upcoming 2017 Sundance Film Festival, as part of the highly coveted ASCAP Music Café showcase.

Past NewSong winner Joe Shirley of the indie rock band Cardinal Sons calls the prize “amazing” — both in terms of the performance opportunity and simply being able to attend the renowned festival. “We played our set, and realized Pat Sansone and John Stirratt of Wilco and The Autumn Defense (heroes of ours) were standing at the back of the venue and listening to our show,” recalls Shirley. “What a trip!”

“Apart from playing the set to a packed room of festival-goers, just being at Sundance was also a great experience with everything it offers,” says Shirley. “It gave us an opportunity to play in front of a community of people who appreciate good art and are looking to be moved by something.”

Past grand prize winners Rachel Kilgour (2015) and Max Hatt of the jazz-americana duo Max Hatt/Edda Glass (2014) agreed on how attentive and receptive the audience was. “There was such respect for filmmaking as an artform in that setting,” says Kilgour. “It was very encouraging.” Kilgour performed at the Music Café in 2016.

“The ASCAP Music Café puts music at the center of a premier movie festival,” adds Hatt.. “It’s a listening room with a hip audience including major players in both the film and music industry.”

Erik Philbrook, ASCAP Vice President and Creative Director recognizes how important this opportunity can be to a musician — whether they are established touring musicians or just starting out. “As an integral program of the Sundance Film Festival, the Sundance ASCAP Music Café is one of the country’s premier showcases for established and emerging singer-songwriters,” says Philbrook. “It celebrates the marriage of music and film and offers filmmakers an excellent opportunity for music discovery.”

Philbrook goes on to count recent NewSong winners among the Music Cafe’s most memorable performers. “We’re excited to discover the next great artist to perform at the 2017 festival,” he says.

Today Is THE Last Day to Submit Your Music

Monday, October 17th, 2016

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GOT SONGS? TODAY IS THE FINAL DAY TO SUBMIT YOUR MUSIC!

The deadline to enter the 15th Annual NewSong Music Performance & Songwriting Competition is TONIGHT (Monday, October 17) at 11:59pm PST. Ten finalists will be selected to compete at the prestigious Lincoln Center for the Performing Arts in New York City this December for the grand prize, which includes featured prize performances in 2017 back at Lincoln Center AND the ASCAP Music Café at the Sundance Film Festival in Park City, Utah. The winner will also receive a multi-day professional recording session at the award winning Echo Mountain Recording Studios in Asheville, NC.

As an entrant in the 2016 competition, you are also eligible for exclusive discounts on future recording sessions at Echo Mountain Recording Studios, and you and your music will be considered for additional recording and performance opportunities across the U.S.


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Three Questions With Early Bird Finalist: Middle Child

Friday, October 7th, 2016

Three questions with Early Bird Finalist: Middle Child

MiddleChild


NewSong Music is proud to count the band Middle Child among our Early Bird Finalists. While each of these three musicians has immense talent — and two have established solo careers — the bandmates discovered that they were better together. And we are so glad they did.

Austin Max and Danny Silberstein began writing songs together after meeting at Berklee College of Music in 2013. Terrell Hines soon joined the band, filling in harmonies and playing drums. Together, the trio boasts a psychedelic R&B sound that is inspired by the likes of The Wrecking Crew, Frank Ocean, Paul Simon, and Al Green. Middle Child will release its first official single in the fall of 2016, and we can’t wait for the world to hear it.

We took the time to ask Danny some questions about the band. To learn more about Middle Child, visit middlechildofficialband.com.

What are your biggest inspirations as songwriters?

I think basic human emotions are really the common thread between each of our songs. When we write, we try to take a snapshot of way we are feeling at that point in time. Different harmonies and arrangements tend to evoke a variety of feelings and emotions, so we like to  approach writing songs with an opening mind, both instrumentally and stylistically.

Why did you submit to the NewSong Music Competition?

We were inspired to submit after seeing that the Cardinal Sons had won the competition a while back. We’re fans of their Echo Choir EP, so we wanted to be involved with the people who helped create it.

What’s the one thing you would like people to know about Middle Child?

We are independent artists who came together to make something bigger than the three of us. We love music so much, and would love people to feel that in our music.

https://youtu.be/1LxDtJsK2-0

Three Questions with Early Bird Finalist: Market Junction

Friday, October 7th, 2016

Three questions with Early Bird Finalist: Market Junction

Market Junction is the name under which Matt Parish and Justin Lofton share their insightful brand of Americana, and NewSong Music is excited to welcome the Houston, Texas-based duo as Early Bird Finalists.

The two friends currently have a single called “All I Really Need” on the Texas Region Radio chart, and they have secured opening spots for artists including Charlie Pride, Ray Wylie Hubbard and Little Texas. We think it’s only a matter of time before we start hearing more about Market Junction, and we are only too happy to welcome them to the NewSong stage.

We asked Matt and Justin a few questions about their songwriting. To learn more about the band, visit mktjct.com.

How would you describe your sound to those who have never heard you before?

We are Americana to our core. If you listen to our record, you will hear elements of folk, country and rock, but the foundation lies in our quest to tell a good story.

What fuels your songwriting?

Justin and I have been best friends for a long time. Our experiences together, along with our families, find their way into our writing. We are suckers for sad stories and hard times.  Artistically, our goal is to paint a picture without drawing the lines too clearly.

What inspired you to submit to NewSong?

We had not heard about NewSong before, but the contest intrigued us. We were looking for a way to showcase our songwriting abilities on a national level, and NewSong seemed to be a good avenue for that.

https://youtu.be/UHX_z7ESQKo

2016 NewSong Music Finalist Ethan Crump Returns to LEAF on October 22

Tuesday, September 20th, 2016

2016 NewSong Music Finalist Ethan Crump Returns to LEAF on October 22

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Ethan Crump is a Hartwell, Georgia-based musician who pens country-folk songs with a world weariness and wisdom beyond his nineteen years. The singer-songwriter’s straightforward yet poignant tunes caught the attention of judges at last year’s NewSong Music competition at the Lake Eden Arts Festival (LEAF) in Black Mountain, North Carolina. He won first place that day, which means festival-goers will have another chance to watch this promising young musician perform at LEAF on Saturday, October 22, 2016.

Crump released his debut EP, Hellfire and Amazing Grace, this summer. He counts John Prine and Guy Clark among his influences, but says his rural country upbringing — including afternoons spent with his grandmother — had more impact on his songwriting than anything else. The EP’s impressive title track is inspired by his grandparents, who were born into the Great Depression.

Crump says that he isn’t “competitively inclined,” but he submitted his songs to NewSong Music anyway, at the urging of a friend who had participated in past years. “Despite my preconceived notion that competitions are always intense and combative — I grew up in a football town — the overall atmosphere was relaxed,” says Crump. “The other finalists were very amiable and supportive.”

Not only did Crump secure himself slot in the 2016 LEAF lineup, but he also says the competition opened up other doors for him. “Aside from it being an excellent experience as a performer, [NewSong] introduces you to a network of great people involved in the music scene around Asheville,” he says. Crump will open for folk musician Jeff Black at Isis Music Hall in Asheville on Wednesday, October 5th.

LEAF-goers will not want to miss Crump’s Saturday, October 22nd performance at 12:15 pm at the barn stage. For more information on LEAF, visit theleaf.org. For more information on Ethan Crump, including his tour schedule, visit ethancrump.com.

https://youtu.be/qNCjT1kQza4

Photo Recap: Rachael Kilgour w/ Blair Bodine at Lincoln Center (9/8)

Tuesday, September 13th, 2016

2015 NewSong Music Performance & Songwriting Competition grand prize winner Rachael Kilgour returned to Lincoln Center on September 8th along with 2015 finalist Blair Bodine. Photo credit: Darial Sneed