Posts Tagged ‘2015 NewSong Music Finalist’

Q&A with NewSong Earlybird Finalist R.O. Shapiro

Tuesday, September 24th, 2024

R.O. (Raphael Odell) Shapiro started performing at an early age, first with dance and then musical theater, before picking up guitar at the end of high school. He forming the band Odell Fox with Jenner Fox and they started touring almost immediately, cultivating an energetic and intimate live show experience that R.O. has continued to build upon as a solo artist. The band parted ways at the end of 2017 and R.O., then in Austin, developed the full-band, electrified sound that you can hear on 2021’s King Electric Sessions, his first release since leaving Odell Fox. R.O. is currently based in Northern California, and always on the lookout for new communities and stages where he can share his authentic warmth and wit.

R.O. is this year’s early bird finalist and will join seven other finalists to network and compete at the NewSong Performance & Songwriting Competition finals on Saturday, November 16, at Citizen Vinyl. Find tickets here.
 
NewSong Music: What sort of music was playing in your house when you were growing up?

R.O. Shapiro: A lot of jazz — Louis, Miles, Monk… Ella and Billie. And classic rock — Beatles, Stones, Grateful Dead, Steely Dan. 

What was your journey to music — were you classically trained? From a family of musicians? Self-taught?

I grew up doing a lot of musical theater, that’s really how I started singing. I didn’t pick up guitar until my senior year of high school, but as soon as I got a few chords down I started writing my own songs almost immediately.

What is the first song you wrote that you were proud of, and why?

I think I was proud of the first songs I wrote! Of course, I wouldn’t want to play them now, but I know I felt immense satisfaction from finishing them, and sharing them with my friends. I’m still totally hooked on that feeling.

 


What is your writing process like — do you write lyrics first, or music? Do you compose on a particular instrument? Do you need to write in a particular space or do song ideas come to you at random times?

The beginnings of a song almost always come when I’m absentmindedly messing around on my guitar. I’ll find a lick or progression that I like, a melody to go with it, and then eventually some words affix themselves based on the rhythm or cadence of the musical phrase. More often than not, these lyrics will be related in some way to whatever thoughts or feelings which are already bouncing around the front of my brain. That’s how I find the germ of a song, and I expand it from there, usually in sporadic quiet moments over the course of weeks, months, or years.

Share a musical adventure from this summer with us — could be a show you played, a tour you took, a recording you made, a concert you attended, etc. Tell us about an experience that really stood out for you.

I actually started booking and promoting shows, even running sound, at a venue in Caspar, CA, a tiny town on the coast between Mendocino and Fort Bragg, three hours north of San Francisco. It’s now called Good Bones Kitchen, but used to be the Caspar Inn, a legendary roadhouse for decades drawing acts like Bonnie Raitt, Taj Mahal, and J.J. Cale. It’s been an amazing honor to work to restart the music program in that historic space, and really exciting to learn new skills and and gain a much better understanding of the ins and outs of the production side of our industry.  

2015 NewSong Finalist: Queen Esther

Thursday, December 17th, 2015

QUEEN ESTHER (NEW YORK, NY)

Queen Esther, Rodeo Bar, NYC 1/15/14 Photos must be credited: © Tanya Braganti

This series of features highlights the 2015 NewSong Music finalists. Each artist is invited to Lincoln Center on January 7th for the opportunity to win the #NSM Grand Prize. We sat down with each finalist to learn more about their music and background. Hope you enjoy!

BIO
Steeped in Southern gospel music traditions from a very early age while surrounded by a soundscape of freeform radio, countrypolitan music and show tunes, Queen Esther grew up in the Deep South – Atlanta, GA and Charleston, SC respectively – as the middle child and the only daughter, with six brothers and a four-octave range. She began her gifted education in English and creative writing as a five-year-old.

Her work in New York City as a vocalist, lyricist, songwriter, actor/solo performer and playwright/librettist led to creative collaborations in neo-vaudeville, alt-theater, various alt-rock configurations, (neo) swing bands, trip hop DJs, spoken word performances, jazz combos, jam bands, various blues configurations, original Off Broadway plays and musicals, experimental music/art noise and performance art. Serious operatic training as a kid led to hard time in Austin, Texas — in theater as well as the live music scene — opening for artists as varied as Larry Carlton, The Neville Brothers, Crowded House and Chuck Berry.

A 2008 Grand Prize winner of the Jazzmobile Vocal Competition, Queen Esther has performed with guitar icon James “Blood” Ulmer internationally in various blues, rock and jazz configurations, including Blues Experience Raw, The Black Rock Experience and most recently with his seminal collective, Odyssey. She and her jazz quintet The Hot Five perform in New York City regularly, including New Year’s Eve Eve, The Jazz Age Lawn Party and the iconic Minton’s in Harlem. Accompanied by her Black Americana band The Blue Crowns, Queen Esther premiered her fall European tour at Porgy & Bess, Vienna’s esteemed concert hall. Her latest release, The Other Side — described as “the most exciting Afro-Americana release of the year” by Paste magazine — is garnering airplay and stellar reviews worldwide.

Q: What is your songwriting process?
A: As a multidisciplinary artist, I am a conduit. When inspiration comes in the form of music, I find myself listening to songs on a radio somewhere in the recesses of my imagination that only I can hear. My hardest job is getting those songs out of my head and into the world, sounding as fresh and immediate and pristine as they do when only I can hear them — by any means necessary.

Influences? I admire Dolly Parton a great deal. She’s a muscian, she is a consummate performer, and she’s always owned her songs. I love Sister Rosetta Tharpe and Memphis Minnie for the same reasons — all of them, bandleaders, songwriters, musicians and powerful trailblazers.

Q:What does it mean to you to be selected as a NewSong finalist, and what do you hope to get out of the experience?
A: I actually got a little choked up. I called my husband. I sent a tweet about it. And then I stepped out into the hallway of my building and did a cartwheel. The wonderfully miraculous golden goodness of being a finalist in a competition of this stature — one that embraces original songs from performing songwriters — can hardly be overstated, especially when you’ve been going at it alone, as I have, and in a place as harrowing and unforgiving as New York City. To put it in another way — it means everything. It means validation. It means exposure. It means the world.

Q: How did you hear about New Song Music?
A: I was sifting through the Internet for songwriting opportunities. When I found the NewSong Contest, it sounded too good to be true. (Frankly, it still does.)

Q: What is currently happening with your music?
A: My 2015 Black Americana self release — “The Other Side” — is still garnering reviews and airplay internationally. Learn More!

Queen Esther’s Links
QueenEsther.com + Facebook + YouTube + SoundCloud + Twitter + Instagram