
For more on Josh, visit his website joshthrelkeld.com
For more on Josh, visit his website joshthrelkeld.com
We are excited to have Count This Penny – a Madison, WI based singer-songwriter duo – as a 2013 NewSong Contest Finalist. We caught up with them recently with a brief Q&A and get to know a little more about them. Catch the full interview below and don’t miss their performance, along with the other 2013 Finalists, at Lincoln Center for the Performing Arts on October 19th.
1. The relocation of Count This Penny to Madison, WI early in your musical career seems to have been an important moment. Was that decision completely music related? What is like to live and perform in a town with such a great local music scene?
We love living in Madison! We had the chance to try living somewhere different than our native state of Tennessee for a while, and we decided to go for it. And it became home to us terrifically quickly. We had no way of knowing what an awesome music community was here before we arrived. And it’s only gotten stronger in the time we’ve lived here.
There are great venues and promoters who embrace local music as well as bringing strong national and regional acts through town consistently. There are dozens of awesome local bands who collaborate constantly. You can find a good show every single night–and sometimes three or four in one night. Two weekends ago Shovels and Rope, Volcano Choir/Field Report, and The Vaccines were all playing in Madison the same night. It’s an embarrassment of riches for a city this size, thanks to some hardworking folks.
2. How would you describe your experience as a NewSong Contest Regional Finalist? What similarities and connections, if any, did you find between your music and the music of other artists in your region? To other finalists who will join you at the finals in New York in October?
Well…we’re all songwriters. Ha ha, just kidding. But not really — it’s easy to feel an immediate connection with anyone who cares about the craft of songwriting and who dedicates any amount of his or her time to building (or carving or whittling or engineering or reverse-engineering) a song. We’re thrilled by the opportunity to meet all these great writers and hear their perspectives on songwriting. We really hope we have time to have some conversations like that in New York, because we still have a lot to learn.
3. Smart Studios, where you recorded your first EP, has an incredibly rich history comprised of recordings by Nirvana, Smashing Pumpkins, Fall Out Boy, Jimmy Eat World, etc. What are some of your favorite parts of this history? What does it mean to Count This Penny to have recorded there before the studio closed for good?
Honestly, if we had thought much about the storied past of Smart, we probably wouldn’t have wound up there–we’d have been too intimidated, or felt like we weren’t rock-n-roll enough. But the moment we walked in, and especially when we talked to our engineer, Mike Zirkel, we felt at home. He’s just the warmest, most supportive guy, and we loved him right away. Having said that, we also felt really cool sitting around the A-range while it was still there. Pretty badass. But you could be tons of places with an amazing history and still feel cold or out of place. We had great musicians join us on our record and a great engineer, and we were kind of pinching ourselves when we stopped to think about the music that was recorded and produced there long before we ever started playing.
4. Lincoln Center is widely renowned as one of the world’s greatest venues for the performing arts. With the NewSong Contest live performance finals taking place on Oct 19th, what does the opportunity to perform at Lincoln Center mean to you?
Oh man, you’re just trying to make us nervous now!
—–
To learn more about Count This Penny, please visit their website: countthispenny.com.
|
|||||||||||||||||||||
NewSong Music, Isis Restaurant and Music Hall, Kim Ruehl, The Asheville Scene, and WNCW are proud to announce the lineup for its autumn 2013 NewSong Troubadour Series, featuring some of the finest singer-songwriters on the circuit. From NC native Sarah Siskind to Nashville favorite Robby Hecht and Woody Guthrie’s granddaughter Sarah Lee Guthrie, the NewSong Troubadour Series at Isis aims introduce Asheville audiences to exceptional artists in an intimate, listening room atmosphere.
About Scott Miller & Rayna Gellert:
It may seem an unlikely pairing – Scott Miller, the no nonsense roots rock and roll songwriter – and Rayna Gellert, a maven of old time fiddle music. They met at Mountain Stage in West Virginia last year and were instant friends and collaborators. Since then, Rayna has been accompanying Scott on some solo gigs, adding nuanced readings of Miller’s existing catalog of original songs and gracing some new songs that had been bubbling up for Miller’s next record. Some of the new songs were not a good fit for his new project but were rapidly becoming requested at the duo’s shows. And so, seemingly overnight, the idea of doing an EP of these new fan favorites was born. The CoDependents is now available to fans of both Miller and Gellert.
GENERAL INFO:
Thursday, October 17
$10 Advance / $12 Door
CLICK HERE FOR TICKETS
General Admission :: Seated / Standing Show
Doors 5pm :: Show 8pm
There are limited tables available with dinner reservations (You must call Isis at 828-575-2737 for dinner reservations ). There is also some theater-style & balcony seating and standing available on a first come first serve basis. Isis, The Scene, WNCW, and NewSong are proud to have Scott and Rayna as part of the Troubadour Series.
For more information please visit:
http://
I’m finishing my undergrad in jazz piano performance at St. Francis Xavier University in Nova Scotia. Studying jazz over the past few year has definitely opened my eyes and ears to a style of music that I didn’t know much about before getting to university. Just from a songwriters point of view, checking out the Tin Pan Alley standards by brilliant writers like Berlin and Gershwin is like a “How-to” for writing songs. Definitely inspiring!
I have been checking out some of the other finalists in the NewSong contest. I have literally been blown away by how talented everyone is, I’ve found some new favorite songwriters for sure.
I often perform solo, so keeping a balance between vocals and instrumentation is easy in that setting. But when working with a band, it can be hard to find the right arrangement to accompany the song without overpowering the vocals. With my genre of music, I try to keep the lyrics front and center.
Congratulations to this year’s NewSong Contest People’s Choice Winner, Victoria Vox!
Victoria was selected from 60 Regional Finalists by popular vote on the NewSong online voting platform. She will now move on to compete in the 2013 Mountain Stage NewSong Contest live performance finals on Saturday, Oct 19th at New York’s Lincoln Center for the Performing Arts, and have the chance to win a suite of career advancing prizes. For a full list of this year’s prizes, click here.
Additionally, we would like to recognize those regional finalists who received the most votes in their own region:
International Round – Nancy Beaudette Music
Midwest Round – Rachael Kilgour
Northeast – Victoria Vox (overall winner)
Southeast – Nick Flora
Southwest – Otter Creek
West – Tiff Jimber
Once again, congratulations to ALL of the talented regional round finalists from this year’s contest, and thanks to all of you who voted to support and recognize them.
We recently caught up with 2013 Early Bird finalist Justina Shandler about what it is like to be a songwriter, her experience in past songwriting competitions, and much more….check out the full interview below!
1. Your songs have been described as the music baby of Regina Spektor and Billy Joel. How much of an influence do those artists have on your writing process? Do you strive to craft songs that reflect their style?
Truthfully I didn’t even know who Regina Spektor was until multiple people told me my voice sounded like hers. Now, I’m a huge fan, and I think it’s more than just our voices that are similar. We both tend to write very specifically. We like combining leaping melodies with succinct, staccato-like melodies. Regina is a cute and quirky gal (like me), but her music can be very complex and meaningful. As for Billy, I grew up listening to him. I have always been in awe of his catchy and accessible yet intensely complicated pop music. To me, he is God. So, although I strive for my own unique sound, if I ever sound a little bit like Billy Joel, I jump up and down with glee.
2. You have participated and succeeded in a few songwriting competitions in the past….what is it that draws you to these competitions? What are you most excited about with the NewSong Contest?
To be perfectly honest, I really just submit songs to any contest that seems legit. I have had the honor of placing in some songwriting contests (Indie International Songwriting Contest, UK Songwriting Contest, Song Door International, etc), but NewSong has been the first competition to offer me exactly what I’m looking for in a contest.
I am a writer first and foremost- so there are a number of things about this contest that I find incredibly appealing. First, the finalists who perform at Lincoln center are judged solely on their writing and performing abilities. We are allowed to have one accompanist, but performing solo is preferred. When I heard this, I flipped out! So many contests say they are just judging you on the song, but production quality and arrangement always plays a major factor. With NewSong, I know that my little song baby does not need fancy lights, production, or arrangements in order to wow the judges. It seems like a very fair, loving, contest.
3. As a multi-instrumentalist, do you have a preference on the instrument you use in your songwriting process?
I just really write most of my songs on piano. The only time I opt for guitar is when I feel like the song needs the rhythm to drive. I can’t mimic the sound of a strumming guitar on the piano. Otherwise, I have a lot more freedom on the piano since it’s my primary instrument. I feel like that is not a very interesting answer…
4. An integral part of this competition and to songwriting in general are lyrics….how important are lyrics to you? do you have an all time favorite lyric or lyricist?
Lyrics are number one for me. It is one thing to hear a song and tap your foot and dig the groove, but it is a completely different thing to hear lyrics you connect with. It is about depth for me. I want people to enjoy the sound of my music, but it is more important for them to hear and understand the words. I have been working a lot on the clarity of my lyrics when I perform. I make a concerted effort to emphasize the important words and really tell the story. Sometimes, when I practice, I read my lyrics aloud. That way, when I sing them, I communicate the words more conversationally. I try to think of my songs as a form of communication, as well as entertainment.
I admire a lot of lyricists, namely Leonard Cohen and Bob Dylan. Listening to songs with amazing lyrics always inspires me. However, I don’t ever feel like I am copying a particular lyric writing style. I love poetic lyrics full of imagery, but my own style tends to be more conversational.
5. Do you have any advice/comments for aspiring songwriters?
Be honest, know at least five chords, and avoid clichés at any cost. Invent your own cliché. Invent your own word, or concept. It may not be a radio hit, but people will remember a song written about an alcoholic that gets eaten by stray dogs over a song that says hold me tight all night, baby. Combine honesty and accessibility; find a balance of personal details and universal issues. Say something that people care about.
The only thing in life that is entirely bad is writers block. Everything else can have a good song written about it. I came up with this idea (although I’m sure I’m not the first person to think of this) while getting through a breakup. I was heartbroken and wrote a great song. At that moment I realized that even if I was at a funeral, I could write a great song about that. If I got attacked by a bear (and lived), I could write a hit song about it. But the worst possible thing for a songwriter is definitely writers’ block. If you are able to write about everything you see and feel, it should be much easier to pull yourself out of a bad place. Songwriting can keep your confidence up, and sometimes keep you afloat!
ISIS NEWSONG TROUBADOUR SERIES
PRESENTED BY ASHEVILLE SCENE AND WNCW
SEP. 12 – NOV. 7, 2013, TICKETS ON SALE NOW
FEATURING ROBBY HECHT, SARAH LEE GUTHRIE & JOHNNY IRION,
GRANT PEEPLES, SCOTT MILLER & RAYNA GELLERT, AND SARAH SISKIND & TRAVIS BOOK
Isis Restaurant and Music Hall is proud to announce the lineup for its autumn 2013 NewSong Troubadour Series, featuring some of the finest singer-songwriters on the contemporary folk circuit. From NC native Sarah Siskind to Nashville favorite Robby Hecht and Woody Guthrie’s granddaughter Sarah Lee Guthrie, the NewSong Troubadour Series at Isis was imagined and organized by folk music reporter Kim Ruehl and Isis owner Scott Woody. With the help of Gar Ragland at NewSong Music – an Asheville-based independent music organization dedicated to supporting and promoting great singer-songwriters – they secured media sponsorship from the Asheville Scene and WNCW.
“The artists on tap for the NewSong Troubadour Series at Isis cover different areas of the singer-songwriter aesthetic – from earnest to sarcastic, poetic to plainspoken, well-established to up-and-coming,” says Ruehl. “But, what they all have in common is their commitment to delivering great music, for the sake of the songs themselves. We thought that Isis, with its impeccable sound system and quiet, comfortable atmosphere, would be the perfect listening room for sharing these five great troubadours with Asheville audiences.”
NewSong’s partnership with Ruehl and Woody has been part of the firm’s ongoing effort to draw attention to Asheville’s vibrant and burgeoning music community by introducing local artists to the national stage as well as attracting world class national touring acts to Asheville’s finest venues. Gar Ragland, speaking for NewSong Music, says, “We’re very excited to be involved in presenting this series at Isis. Our goal is to introduce outstanding performing songwriters to the Asheville community, and to also showcase great local talent and Asheville’s vibrant music scene to a national audience.”
All shows will be general admission. Doors 5pm, Shows begin at 8pm. Limited tables will be available with dinner reservations for each concert. There is also theater-style & balcony seating and standing available on a first come first serve Individual ticket prices are listed below. In addition, a ticket for the full series is available at a discount, for $45, and will be available now through Sep. 12.
THURS 9/12 – ROBBY HECHT, $10: Robby Hecht is a romantic realist. He writes melodic and captivating songs that don’t shy away from the complexity of human relationships and delivers them with a smooth tenor that evokes both sorrow and hope. His new record, and second solo effort, takes the listener through a broad spectrum of emotions touching on forgiveness, love, indifference, joy, self-doubt and more. He writes with an honesty that captures the truth of a sentiment, building allegorical themes that allow anyone to relate the songs to the experiences of his or her own life.
FRI 9/20 – SARAH LEE GUTHRIE & JOHNNY IRION, $12adv/$15dos: Nearly a decade after folk-rock duo Sarah Lee Guthrie and Johnny Irion put out their first album together, the husband-and-wife pair feel like they’ve finally hit their stride on Wassaic Way, a collection of 11 new songs to be released August 6th on Rte 8 Records. Produced by Wilco’s Jeff Tweedy and Patrick Sansone at the Loft in Chicago, Wassaic Way finds Guthrie and Irion pushing further beyond the folky sound they established on 2005’s Exploration, their first studio LP. After Irion’s solo album Ex Tempore in 2007, the pair began expanding their sonic horizons on 2011’s Bright Examples, an album that drew praise fromAmerican Songwriter magazine for its “lush, dreamy sound.”
THURS 10/3 – GRANT PEEPLES, $10: Grant Peeples has been dubbed a “guitar-slinging poet” by Music News Nashville, has a voice that No Depression says “sounds like a ’57 Chevy with glass mufflers…”, and a style that Peeples proclaims Leftneck. “I’m a vegetarian that watches NASCAR, a tree-hugger that keeps a gun under the seat,” he says. His latest release, Prior Convictions, produced by Americana icon Gurf Morlix, earned top ratings on national and European Americana/ Roots charts. This summer Grant completed a 13,000 mile cross country tour which included a feature performer slot at The Woody Guthrie Folk Festival in Okema, OK, and shows at The Blue Door in Oklahoma City, The Living Room in NYC, Sam Bond’s in Eugene, OR, and The Triple Door in Seattle. Grant has toured both east and west coasts, Texas, and every shore in his home state of Florida, playing at venues that range from concert halls to biker bars to Unitarian church services. Of his latest record, The Americana Gazette says, “Grant Peeples’ Prior Convictions is real as hell, and beautiful to boot…”
THURS 10/17 – SCOTT MILLER & RAYNA GELLERT, $10: Scott Miller is not a simple study; he manages the family cattle farm in Virginia’s Shenandoah Valley, but he also has a degree in Russian and Soviet Studies from William & Mary and tours the country as an esteemed singer/songwriter. In 1990, armed with his prestigious but ultimately useless degree, Miller moved to Knoxville, where he started scraping out a living playing local bars and clubs. Subsequently he became a member of Knoxville roots-rock unit the V-Roys, the first band signed to E-Squared, an indie label founded by the late Jack Emerson and Steve Earle. The band found moderate success but ultimately dissolved. Miller signed with Sugar Hill Records, recording three studio albums and a live record with The Commonwealth. After meeting renowned old-time fiddler Rayna Gellert (Uncle Earl) at “Mountain Stage”, the two began touring together performing original songs that Miller had tossed out of the tune stack he was compiling for his next release. Fans began requesting these new songs so Miller and Gellert put together an EP, “CoDependents” (2012) to sell at their shows.
THURS 11/7 – SARAH SISKIND & TRAVIS BOOK, $10: NPR calls singer-songwriter Sarah Siskind “an under-exposed treasure.” Born into a musical family in North Carolina, Sarah started writing songs at 11 and by the time she was 14, released her first full-length album. Two more followed at 17 and 21, at which point she relocated to Nashville, Tennessee to further immerse herself in a musical community. A veteran in the studio at age 22, Siskind set out to make Covered and enlisted producer Tucker Martine (The Decemberists, My Morning Jacket). One of her biggest musical heroes, guitar giant Bill Frisell, joined the project. Performing Songwriter called that album “utterly captivating.” Siskind went on to release Say it Louder, which won Nashville’s “Americana Album of the Year” followed by tour dates with Swell Season, Paul Brady, Bon Iver and more. As word continued to spread, other singers across genres started covering them, most notably Alison Krauss, who earned a Grammy nomination for her performance of “Simple Love”.
The Isis Restaurant and Music Hall is a family-owned and –managed business based in the heart of West Asheville’s Haywood Road. Opened in Dec. 2012, the Music Hall is renovated from an old movie theater, with a state of the art sound and lighting system, high quality kitchen and full bar, including more than two dozen beers on tap.
Kim Ruehl is a music reporter whose criticism and feature stories about American folk and roots music have appeared in Billboard, Yes!, Seattle and CityArts magazines, and online at NPR, Folk Alley, No Depression, the Bluegrass Situation, and elsewhere. She moved from Seattle to Asheville in 2010 to write a book about folk music collector and labor activist Zilphia Horton.
NewSong Music is an independent music organization now based in Asheville at Echo Mountain Recording Studios. In addition to producing a performance and songwriting competition in parntnership with NPR’s Mountain Stage and New York’s Lincoln Center for the Performing Arts, NewSong runs a boutique record label (NewSong Recordings) and produces and promotes great live music in New York City and throughout the Southeast.
CONTACTS:
SCOTT WOODY | ISIS RESTAURANT & MUSIC HALL: SCOTT@ISISASHEVILLE.COM
KIM RUEHL: ANYMEDIA@GMAIL.COM
GAR RAGLAND | NEWSONG MUSIC: GAR@NEWSONG-MUSIC.COM
Hear a four-song set from the promising young singer-songwriter as she makes her Mountain Stage debut. Faye plays brash, lo-fi Americana that draws inspiration from such disparate sources as Gillian Welch and Jeff Buckley, Blind Willie Johnson and Anaïs Mitchell, Harry Smith and Andy Warhol.
Lora Faye is the 2012 grand prize winner of the Mountain Stage NewSong Contest.