Archive for the ‘Contest’ Category

The Fourth Annual NewSong Presents: LEAF Singer-Songwriter Competition is now accepting entries

Thursday, February 16th, 2017

 

Thursday, February 16. (Asheville, NC) – LEAF Community Arts (LEAF) and NewSong Music today announce the launch of the 4th Annual NewSong Presents: LEAF Singer-Songwriter Competition. With a mission to identify and celebrate exceptional performers and songwriters from across North America, the competition aims to bring some of the continent’s most accomplished emerging artists to showcase and compete at the 44th LEAF Festival, which takes place May 11-14, 2017, and the chance to advance to perform at the legendary Lincoln Center for the Performing Arts in New York City.

  

“LEAF is thrilled to once again partner with NewSong Music for the 4th annual singer songwriter competition… Providing artists from throughout the globe with the unique opportunity to share their music, artistry, and spirit at the 44th LEAF Festival this Spring. Through creating a platform and pathway for artists to emerge through their craft, this program has become an invaluable stepping stone toward launching a thriving career. In addition to performing in front of hundreds of LEAFers and a host of world-class music industry judges, the winner receives an the opportunity to perform at Lincoln Center for the Performing Arts for the international NewSong Finals, as well as two sets at the 45th LEAF Festival next Fall! We can’t wait to experience the incredible talent this competition will reveal…” ~ Ehren Cruz, LEAF Performing Arts Director

ENTER HERE

The contest begins accepting online song submissions today (February 16), and the final deadline to enter is Sunday, April 2. Judges will select eight finalists from advance online submissions, who will then perform in the live showcase and competition finals at the Spring LEAF Festival on Saturday, May 13, 2017. A panel of music industry judges will select the overall winner of the competition.

The GRAND PRIZE winner will be awarded a paid, featured performance (including lodging & accommodations) at the Fall 2017 LEAF Festival, held October 19-22 in Black Mountain, NC. The overall LEAF winner will also advance to perform and compete at New York City’s Lincoln Center for the Performing Arts later this year in the live performance finals of the 16th annual, international NewSong Music competition.

All eight finalists will each receive a complimentary LEAF Festival performer pass for Saturday, May 13 to perform in the live finals.

“NewSong Music is delighted to be partnering once again with our hometown friends at LEAF to produce the fourth annual singer-songwriter showcase and competition at this spring’s LEAF Festival. The program has increasingly attracted outstanding emerging talent from across North America and beyond, whom we’ve been honored to invite to showcase and compete at one of the country’s best music and arts festivals … all right here in our own backyard!”

~ Gar Ragland, NewSong Director & Co-Founder

COST TO ENTER:

‘Early Bird’ (before March 8)
$20 – 1 SONG ENTRY
$35 – 2 SONG ENTRY
$45 – 3 SONG ENTRY

Regular Pricing
$25 – 1 SONG ENTRY
$45 – 2 SONG ENTRY
$55 – 3 SONG ENTRY

Submit your songs safely and securely online at www.newsong-music.com/LEAF. A portion of the contest proceeds will support LEAF Schools & Streets’ local cultural arts education programming.

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IMPORTANT NEWSONG PRESENTS: LEAF SINGER-SONGWRITER COMPETITION DATES

Thursday, February 16
– Online mp3 submission platform opens for entries

Tuesday, March 7
– ‘Early Bird’ Discounted Entry Deadline 

Sunday, April 2
– Final deadline to enter

Thursday, April 13
– Finalists Announced

Saturday, May 13
– LIVE PERFORMANCE FINALS at the Spring LEAF Festival (May 11-14); Black Mountain, NC (near Asheville)

About LEAF Community Arts

LEAF Community Arts (lovingly called LEAF) is a 501 (c) 3 non-profit organization with a mission to connect cultures and create community through music and arts. LEAF is comprised of two key cultural arts education programs – LEAF Schools & Streets and LEAF International as well as two signature events – LEAF Festival (the event that started it all) and LEAF Downtown.  Attendance at LEAF Festival provides a family-friendly weekend experience infused with music and arts while supporting the long-term vision of the organization. Since 1995, LEAF has served over 200,000+ youth with programs in over 15 community locations and in 10 countries worldwide.  Learn more at www.theLEAF.org.

About NewSong Music

NewSong Music is an independent artist development company headquartered in Asheville, NC.

NewSong’s mission is to build and support a community of performers and songwriters across all genres and levels of skill, and to identify the truly exceptional artists to introduce their music to a broader, international audience. Its programs include a boutique record label (NewSong Recordings), artist management services, concert production and the annual, international NewSong performance and songwriting competition.

Its presenting partners include Arts Brookfield and Lincoln Center for the Performing Arts in New York, the ASCAP Music Café at the Sundance Film Festival.

Rachael Kilgour to release third album ‘Rabbit in the Road’ March 3 on NewSong Recordings

Tuesday, January 17th, 2017

Rachael Kilgour to release third album ‘Rabbit in the Road’ March 3 on NewSong Recordings

Rachael-Kilgour-RIR-CvrRachael Kilgour is a Minnesota-based songwriter and performing artist whose sincere, lyric-driven work has been called both brave and humane. The 2015 grand prize winner of the international NewSong Music Performance & Songwriting Competition, Kilgour has been featured at NYC’s Lincoln Center and by the Sundance ASCAP Music Café at the Sundance Film Festival. She was also a finalist in the 2015 Telluride Troubadour Contest. A versatile performer, Kilgour has shared stages with the likes of indie artists Haley Bonar & Jeremy Messersmith as well as folk legends Greg Brown, Cheryl Wheeler & Catie Curtis.

Kilgour married in her early twenties and devoted the rest of the decade to parenting her stepchild and building family and community. Her work from that time (Self-Titled 2008, Will You Marry Me? 2011, Whistleblower’s Manifesto 2013) chronicled her life as a young parent in a same-sex partnership and addressed sociopolitical issues from government corruption to income inequality to religious hypocrisy. Kilgour’s music career took a backseat during those years as she lived a slow, home-focused life.

In 2014, divorce brought an unwanted and excruciating end to her role as a member of her family. The sudden shift left her deep in grief. Kilgour spent many months processing with friends, family, and therapists and found solace in songwriting. Kilgour’s forthcoming album, Rabbit in the Road, was born out of that time: the love, loss, betrayal, disorientation and the profound sense of resilience that followed.

“While I have always felt a strong pull to address social injustices from the stage, this new collection of work requires something new of me,” Kilgour shared. “I feel called to use my platform to address emotion and grief and forgiveness in a way that is not often done in our culture.”

Though the album was instigated by a particular event in her life, each track explores a different aspect of Kilgour’s emotional journey. “I was taught from a young age that a person’s hurtful behavior is almost always a sign of inner pain and not a reflection of your self-worth. The second track on the album, ‘Deep Bruises’, was my attempt to put that belief into practice under the most difficult circumstances.”

 

 

Later, in “Ready Freddie”, Kilgour professes an unyielding confidence in her step-daughter as she steps into adolescence:

“I know you can take it
I believe that you will make it
On your own somehow
Maybe not right now
But I can see you’re almost ready
Do you think you’re ready Freddie?
Say it right out loud
You’re gonna make me proud”

In the title track, Kilgour examines the dualities of forgiveness. As is true of the album in its entirety, the detailed examination of Kilgour’s relationships and emotions is surprisingly universal:

“With your hands around his neck
You spared his misery
How swift you gave that rabbit
What you couldn’t give to me”

Rabbit in the Road, due out March 3rd, 2017 on NewSong Recordings, was produced by Catie Curtis and Gar Ragland with help from Crit Harmon, who engineered the album. The album was mixed by Gar Ragland at Echo Mountain Recording Studios in Asheville, NC. The album takes an intimate and often painful look at the failed marriage and loss of family. Kilgour’s writing and delivery cut deep, with resolute simplicity. Sorrow, rage, resilience and compassion exist side by side within a series of honest and memorable melodies. The collection of work stands tall on a foundation of vulnerability and opens the door to moments of profound connection.

Pre-order Rabbit in the Road.

 

Publicist: Amanda Dissinger, Terrorbird 

Radio: Shannon Kurlander, Terrorbird

Licensing: Scott Cresto, Music Alternatives

Rachael Kilgour Sites:

Facebook Official Site Instagram Bandcamp Twitter

2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

Monday, January 16th, 2017

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2016 NewSong grand prize winner Wilder Adkins releases peace anthem “Side By Side” on MLK Jr. Day

“This is a song about the city of Birmingham, Alabama and the struggles of the civil rights movement in the 1960s,” says Adkins, a Birmingham resident himself. “It is also an anthem for peace and a call to keep hoping and never give up fighting darkness with the power of light.”


ABOUT WILDER ADKINS
Wilder Adkins15698210_881465828570_6907624843770016758_n songwriting gleans as much from the earthy poetry of Wendell Berry and Mary Oliver as it does from the works of folk luminaries Richard Thompson and Bruce Cockburn. His courtly-but-witty lyrics evoke a Deep South Shelley or Yeats, riding a joyful guitar dexterity.

Adkins hails from Marietta, GA, but now lives and writes in Birmingham, AL. He grew up listening to his dad play renditions of Neil Young and Van Morrison songs on an old Guild Jumbo Acoustic. Adkins’ songs, steeped in natural imagery, frequently touch upon the subjects of faith, doubt, and as the title of his new album would indicate, hope and sorrow.

Adkins is the grand prize winner of the 2016 international NewSong Music Performance & Songwriting Competition.


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Congratulations to Wilder Adkins, the 2016 NewSong Grand Prize Winner

Tuesday, December 13th, 2016

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Introducing the 2016 NewSong Grand Prize Winner: Wilder Adkins

Congratulations to Wilder Adkins, this year’s grand prize winner of the 15th Annual NewSong Music Showcase and Competition. Adkins took top honors on Saturday night at Lincoln Center’s David Rubenstein Atrium in New York City.

Adkin’s songwriting is steeped in earthy poetry and is imbued with a theosophical spirit. Thematically, his songs frequently touch upon faith, doubt and the natural world. He counts poets Wendell Berry and Mary Oliver among his influences, as well as Neil Young and Van Morrison. His aptly titled latest album, Hope and Sorrow, is a characteristic marrying of poetry and musicality.

“Getting to meet and hang out with the other NewSong Music finalists totally affirmed for me that this is a supportive community of artists serious about their craft. Playing at Lincoln Center in New York at the Holidays was a dream come true. Being named the winner of such a talented pool of songwriters is an incredible honor and one of my proudest moments!” – Wilder Adkins, 2016 NewSong Grand Prize Winner

Click here for a photo gallery of the live performance finals.

“The NewSong Music Competition is one of the country’s strongest platforms for discovering and showcasing some of the today’s most talented, emerging and most deserving singer-songwriters. It has a rich legacy of shining a spotlight on true artists who are serious about their craft. While all of this year’s finalists were compelling in their own way, this year’s winner, Wilder Adkins is an extraordinarily gifted lyricist, vocalist and guitarist from Birmingham, Alabama, who mesmerized everyone in the room at Lincoln Center. He’s the real deal and I’m thrilled to play a part in exposing him to a wider audience.”  – Erik Philbrook, NewSong Music judge and ASCAP VP and Creative Director

“We had another outstanding group of finalists this year, which made our job as judges all the more challenging. But after the first two rounds, Wilder’s deeply poetic songcraft – paired with a passionate and at times comical performance – led him directly to this year’s top honor. We look forward to working with him over the next year and beyond, and to help him and the rest of his fellow finalists take their music to the broader audience they richly deserve.”  – Gar Ragland, NewSong Music Producer and Co-founder

#MeetTheJudges: Erik Philbrook, Vice President and Creative Director of ASCAP

Friday, December 9th, 2016

Erik Philbrook

ASCAP’s VP and Creative Director

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Erik Philbrook serves as ASCAP’s VP and Creative Director. In addition to writing editorial, producing video and managing content for ASCAP’s various media channels, he has interviewed and written about many of today’s leading songwriters and composers from across the musical spectrum, from legendary icons to today’s emerging artists. He has helped lead ASCAP’s advocacy efforts in protecting songwriter rights in the digital age. And he has played an essential role in the success of high-profile ASCAP events such as the Sundance ASCAP Music Café and the ASCAP “I Create Music” EXPO, where he has interviewed on stage many top music creators, including Tom Petty, John Mayer, Bon Jovi, ELO’s Jeff Lynne, Ingrid Michaelson, Jimmy Jam and Terry Lewis, Steve Lillywhite and many others. In addition, Philbrook is a songwriter and musician himself, having recorded three acclaimed albums with his band NYC-based band The Brilliant Mistakes.

#MeetTheJudges: Elysa Marden of Arts Brookfield

Friday, December 9th, 2016

MEERA DUGAL

2016 NewSong Music Performance & Songwriting Competition

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Elysa Marden is a curator and producer based in NYC. She is currently the Co-Director of Art Brookfield, a national public arts program that produces, commissions, and presents music, dance, film, visual art and spoken word year-round and free to the public. She has had the pleasure of working with NewSong Music to present NewSong artists in Brookfield spaces in NYC and Denver for 8 years.

 

#MeetTheJudges: Meera Dugal (Lincoln Center)

Friday, December 9th, 2016

MEERA DUGAL

2016 NewSong Music Performance & Songwriting Competition

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Meera Dugal is the Programming Manager for the David Rubenstein Atrium at Lincoln Center. The Atrium is home to over 100 free, extremely eclectic performances a year that are curated with the aim to reflect the diversity present in New York City. Originally from Charleston, Meera has a Bachelor of Arts from New York University’s Gallatin School where she studied ethnomusicology. Before coming to Lincoln Center, Meera worked with globalFEST, The National Jazz Museum in Harlem, The Jazz Gallery, and Iraqi-American musician Amir ElSaffar. She is the manager for the New York-based traditional Moroccan Gnawa sextet Innov Gnawa and a member of Women of Color in the Arts.

 

Three Questions with Jomo Edwards (of Jomo & The Possum Posse)

Tuesday, December 6th, 2016

Three Questions with Jomo Edwards (of Jomo & The Possum Posse)

JomoPossumPosse

Jomo Edwards is a roots-loving, Austin, Texas-based singer-songwriter and multi-instrumentalist. He is perhaps best known for his viral video series, “Guy On A Buffalo,” in which he wrote and overdubbed a new soundtrack for the film, Buffalo Rider. The irreverent wit and sardonic sense of humor apparent in the video series is just as pronounced in his songwriting.

Edwards often performs with his band, Possum Posse. The band’s latest record, Local Motive skews heavily toward roots rock & roll and old-school country. With song titles like “Farts Ain’t Funny” and “The Real Housewives of the West of Us,” you can bet that this songwriter has his own, singularly entertaining take on the classic genres.

We took the time to ask Edwards about his songwriting inspiration, career news and his hopes for the NewSong competition.

What is your songwriting process like, and where do you find inspiration?

I do my best work when given a deadline or assignment. I don’t usually spend weeks or months writing a song. I usually write my best songs in one sitting. Then, I begin playing them on an instrument, and don’t look back at the words I’ve written down, which usually allows me to develop more organic-sounding lyrics.

A few years ago, I also started attending a songwriting circle where an assignment was given each week. I was immediately hooked, and I have ended up writing a large number of songs from that group.

What does it mean to you to be a NewSong finalist, and what do you hope to gain from the experience?

For me, it means I’m not 100 percent crazy. I really believe in what I’m doing as a songwriter, but sometimes it can feel like there’s nobody else out there who understands and/or appreciates it.

What music news do you have to share with fans?

Earlier this year, my band, The Possum Posse, released a self-produced album called Local Motive. I’m pretty proud of it, and I think it captures the energy of our live shows. We’ve been playing most of the songs on that album live for a couple of years, so they organically developed their own arrangements. When we got into the studio, we were able to just play them the way we’d done many times before, and we were able to track most of the songs live.

To learn more about Jomo Edwards, visit thepossumposse.com and follow his band Jomo & The Possum Posse on Facebook.

Three Questions With Wilder Adkins

Tuesday, December 6th, 2016

Three Questions With Wilder Adkins

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Wilder Adkins, a Birmingham, Alabama-based folk musician, discovered that he was a NewSong finalist at a friend’s house in Cambridge, England. “I had just played a show at a 900-year-old church when I heard,” says Adkins. “So, suffice to say, it was a great bit of news to cap off a great evening.”

Adkin’s songwriting is steeped in earthy poetry and is imbued with a theosophical spirit. Thematically, his songs frequently touch upon faith, doubt and the natural world. He counts poets Wendell Berry and Mary Oliver among his influences, as well as Neil Young and Van Morrison. His aptly titled latest album, Hope and Sorrow, is a characteristic marrying of poetry and musicality.

We took the time to ask Adkins about his songwriting inspiration, career news and his hopes for the NewSong competition.

What is your songwriting process like, and where do you find inspiration?
Generally, I write about things that move me. Usually, the music comes first, but not always. Oftentimes it takes a while for a song to grow on me — even my own songs. In terms of musicians that inspire me, I love Van Morrison’s Astral Weeks. It’s one of my favorite albums. Recently, I played at a folk festival in Scotland hosted by another of my songwriting heroes, Dougie MacLean.

What does it mean to you to be a NewSong finalist, and what do you hope to gain from the experience?
It can be pretty hard for folk musicians to get attention these days, so it is really wonderful to receive that kind of recognition for my work. I’d love to connect with the NewSong family of artists and hopefully make plans for future shows and collaborations.

https://soundcloud.com/wilderadkins/bright-beautiful

What music news do you have to share with fans?
I put out a new album called Hope & Sorrow in 2016. I’ve also got an album of pirate music hopefully coming out soon.

To learn more about Wilder Atkins, visit wilderatkins.bandcamp.com and follow Wilder Music on Facebook and Twitter. You can also listen to his music on SoundCloud.

Three Questions with The Small Glories

Friday, November 18th, 2016

TheSmallGlories

THREE QUESTIONS WITH THE SMALL GLORIES

Website | Facebook | Twitter | Instagram

Folk powerhouse pair The Small Glories are Cara Luft and JD Edwards, an energetic duo hailing from the Canadian prairies.  

No Depression calls Luft’s songwriting “redemptive, earthy and rooted in realism” and the Globe and Mail says she “sings like an angel named Joni or Alanis…”  Edwards is a magnetic live performer and prolific songwriter with an equally soulful voice. Together, they form a musical bond — not to mention some impressive harmonies — that caught the ears of NewSong judges.

We took time to ask Luft and Edwards about their songwriting inspiration, as well as their upcoming international shows. To learn more about the band, visit thesmallglories.com.

What music-related news do you have to share with readers?
Our debut, full-length album, Wondrous Traveler, was released in 2016. The album was just nominated for two Canadian Folk Music Awards: English Songwriter of the Year and New/Emerging Artist of the Year. We’ve been touring around the globe (Canada, USA, Netherlands, UK) and showcasing at fabulous music conferences such as the Americana Music Conference in Nashville. We recently played the Sisters Folk Festival, which was our second US festival and have just been offered our first major European festival at Tonder in Denmark. We are also excited to play our first Australian festival at Woodford Folk Festival.  

What is your songwriting process like, and where do you find inspiration?
We write individually and collectively, and we also co-write with other artists. Sometimes we start with lyrics; other times, we start with music or a melody line and expand from there. We write about personal experiences, while remaining aware of that fine line between the personal and the universal. (We want to write songs about things so others can relate.) We look to our families, friends and communities for inspiration, as well as our landscape and geography.  We are so often inspired by hearing other people’s stories.

What do you hope to get out of your experience as a NewSong finalist?
It seems like a wonderful way to meet other emerging acts and songwriters. So we see participating in the NewSong Music competition as a networking opportunity and an opportunity to reach a wider audience base.  

To learn more about The Small Glories, you can also listen to the band on SoundCloud, and YouTube.